Five years ago rising star Tom Hiddleston could not have imagined that he would have a year like 2011. At the time, as the theater actor was shooting the "Wallender" crime series with Kenneth Branagh in Sweden, he went to see Marvel's "Iron Man" and asked himself if he could ever star in a film lik...
Read More »Woody Allen is having serial title issues. Remember "Anhedonia"? That was the first title of Allen's "Annie Hall," which went on to win the 1977 best picture Oscar. Last year, Allen changed the title of his upcoming Rome comedy from "The Bebop Decameron" to "Nero Fiddled."
Read More »For the first time in over a decade, Woody Allen will play to another director. Fellow triple threat actor-writer-director John Turturro cast Allen in his upcoming "Fading Gigolo."
Read More »Sony Pictures Classics has kept Woody Allen's "Midnight in Paris," not only his highest-grossing film ever, but also the year's most successful indie release, in theaters for almost nine months. And SPC is still campaigning to win a few Oscars (the likeliest is Best Original Screenplay) to add to Al...
Read More »Woody Allen wasn't present at the DGA awards, where "The Artist" director Michel Hazanavicius was the big winner, but that didn't stop him from stealing the show with a suitably neurotic speech via video. It went like this:
Read More »Entertainment Weekly's Annual Oscar Issue breaks down the nominees, throws down some surprising predictions, gives tribute to the shocking snubs, and adds insights on what you might have missed. (Another amusing way to catch up: LA Times' The Envelope's interactive cheat sheet.)
Read More »The Directors Guild has announced the nominees for its 64th Annual DGA Awards, to be held on January 28. The DGA is a much larger and more populist voting group --14,000 strong--than the elite Oscar directors branch, which numbers around 400.
Read More »When asked about Woody Allen's New York, critics often cite the glorious black-and-white Gershwin cinepoem that opens “Manhattan” (1979). I’ve always been partial, though, to the rough magic of Diane Keaton’s terrible driving in “Annie Hall” (1977). (See clips below.)
Read More »In Contention's British correspondent Guy Lodge reports on his viewing of The Adventures of Tintin during this week's Oscar Talk with Kris Tapley. "The action sequences are more fluid," Lodge says, than anything else in Steven Spielberg's work. A downhill chase through the streets of Morocco is "jaw...
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