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Cannes
iwCannes ‘09: Red Bucket Films Buttons, Part 7 - 8
by Red Bucket Films (May 31, 2009)
iwCannes ‘09: Red Bucket Films Buttons, Part 4 - 6
by Red Bucket Films (May 31, 2009)
iwCannes ‘09: Red Bucket Films Buttons, Part 1 - 3
by Red Bucket Films (May 31, 2009)
iwAudiard’s “Prophet” Hailed by Critics, Bloggers as Best of Cannes
by indieWIRE (May 27, 2009)
iw12 Must See Films from Cannes ‘09 (plus one)
by Brian Brooks (May 27, 2009)
iwFresh From Cannes, Oscilloscope Gets Gondry Doc
by Eugene Hernandez (May 26, 2009)
iwCannes ‘09 in a Flashback: Two Weeks Nicely Packaged
by indieWIRE (May 25, 2009)
iwCannes Winners ‘09: On Stage and Backstage on Closing Night
by Eugene Hernandez (May 24, 2009)
iwIn Cannes, Haneke Wins Palme d’Or for “White Ribbon”
by Eugene Hernandez & Brian Brooks (May 24, 2009)
iwThe Ballyhooed, the Magical and All that Mutilation: Cannes ‘09 Winds Down
by Eric Kohn (May 24, 2009)
iw“Dogtooth” Wins Top Cannes Un Certain Regard Prize
by Eugene Hernandez (May 23, 2009)
iw“Gary” and “Wind” Win Cannes Critics’ Week Prizes
by Eugene Hernandez (May 23, 2009)
iwIn Favor of Imagery: Tsai’s “Visage” Paints a Puzzling, Pretty Picture
by Eric Kohn (May 23, 2009)
iwROUND UP VIII: “Dr. Parnassus” Descends, Noe Fills Avant-Garde “Void,” and “Time” Remains Contender
by Peter Knegt and Andy Lauer (May 23, 2009)
iw“My Mother” Kills At Fortnight Awards
by Peter Knegt (May 22, 2009)
iwGaspar Noe: “To make a good melodrama you need sperm, blood and tears.”
by Eugene Hernandez (May 22, 2009)
iwHaneke: “It’s About The Roots of Evil”
by Eugene Hernandez (May 22, 2009)
iwSuleiman’s Palestinian Story, More Personal Than Political
by Eugene Hernandez (May 22, 2009)
iwLow on Luster, Gilliam’s “Imaginarium of Doctor Parnassus” Winds up a Sideshow
by Eric Kohn (May 22, 2009)
iwGilliam: “It was people’s love for Heath that propelled this thing forward.”
by Eugene Hernandez (May 22, 2009)
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Dominguez seems a shaky soap box. On the other hand, the soon-to-be-reassigned judge making the ruling smacks of the tobacco lawsuit against CBS’ Sixty Minutes, and how they caved and later …
By Maryland Clay on Alex Rivera: "Documentarians play the most crucial role when they question the official story"
2
In trying not to sound too fatalist and just plain redundant, I remind all that filmmaking in America is not considered art, it’s not sponsored or funded by cultural institutions as …
By figa on Are we fighting to preserve a business or an artform? Introducing iW's cinemadaily.
3
Check out the post-screening discussion with the filmmaker here: Check it out here: http://www.youtube.com/watch?v=c6OX8E5rdKc&feature=PlayList&p=DB75680A8FA88246&index=4 The panel and Q&A includes Kirby Dick, Rodger McFarlane, Michelangelo Signorile and Larry Kramer.
By Jessica10013 on "Outrage" Review Spiked for Naming Names
4
To me, this is a case of too little, too late. In the past decade, discussions of “independent” films have always focussed on marketability, theatrical release, etc. That’s fine, but in …
By dchin on Are we fighting to preserve a business or an artform? Introducing iW's cinemadaily.
5
Ohhhh nooo. Sorry for my harshness last night, I just re-read what I wrote. But I just don’t understand how after watching that movie you got phony. I was completely touched.  …
By Akatz on Riding to Perdition: Sam Mendes's "Away We Go"
Updated 6:01 PM ET
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