Click to Skip Ad
Closing in...
Celebrating 17 Years of Film.Biz.Fans.
by Ted Hope
November 27, 2013 10:59 AM
  • |

15 Reasons We Should Be Thankful for Indie Film in 2013

Pamela Gentile/San Francisco Film Society Ted Hope

In honor of Thanksgiving, film producer Ted Hope, who is stepping down as executive director of San Francisco Film Society at the end of this year, looks back at 2013 and takes stock of the independent film business. In a post on his blog Hope for Film, Hope lists over 30 "really good things" that happened in the indie film business in 2013. He's given us permission to republish 15 of them below but you can read all 30 reasons here.

We have plenty to be thankful for.  Things are getting better -- at least in the Indie Film Biz they are…  Or should I say Specialized Film Biz? Artist First Film Biz? Whatever this is, let's celebrate.  We have plenty to be thankful for.

I have over 30 points to prove it to you.  Granted I have something close to an equal number on the negative side too, but I will shield you from those for the time being. Besides, those negative things still to come  are all just opportunities, right?  So what is this cornucopia of things we have to be thankful for? Well…

1. The initial steps towards building a sustainable investor class have been taken.  Impact Partners probably should get the credit for doing the necessary initial work: creating a community of socially minded investors, linking them through shared values and quality engagement, and educating them for the long hall.  Now Sundance has launched their Catalyst group gathering, and is doing awesome work aiding in the connecting serious investors with serious filmmakers (more on them later).  Let's hope this is just the start of many such groups and the industry overall recognizing that smart money is far better than the dumb kind. I am making it a bit of a mission for me, and have some big plans ahead, all things willing…

2. The film biz is excited about entrepreneurial training for filmmakers.  Under my guidance, SFFS launched A2E (Artist To Entrepreneur) at the SFIFF in April and I immediately had invites to travel to talk about the program and even to franchise it by many film support organizations. There's interest to carry this forward elsewhere. I hope to pilot this sort of concept one more time somewhere and then finally be able to evaluate spreading it.  In the meantime, I am confident that there will be other similar iniatives springing up all over. Whether it is training filmmakers to budget their films through the entire process and not just to festival release, market their movies alongside producing them, or focus on long term community building and audience aggregation, we will help filmmakers become owner operators of their own creations as they navigate this paradigm shift from false scarcity and mass market to grand abundance and targeted niches.

3. The film community wants to pull its head out of the sand and confront reality.  I got a great response to my post on 17 Things About The Film Biz That Should Significantly Alter Your Creative Practice. We have ignored the paradigm shift (see #2 above) and perhaps now we are willing to accept the truth and stop betting that a white knight will rescue us.

4. 2013 is the year that crowdfunding went mainstream.  Say what you will about the celebrity factor but Veronica Mars, Zack Braff, Spike Lee, and others brought thousands more on to the platforms.  It is not a zero sum game. Crowdfunding is an incredible asset to all artists' arsenal, and not just for financing, but for marketing, outreach, and true engagement.

5. 2013 is the year that crowd funding became crowd equity. Even with crowdfunding going mainstream, there are limits to the type of movies that can utilize it.  Granting goods and services for donations limits the size of investments creators will receive.  Granting people shares, utilizing investments over donations is another gamechanger. The JOBS Act has turned that game on, and here's hoping that investors turn on too.

6. Crowdfunding is evolving from a project focus to one centered around the artist. The move for fans to become funders and then to become PATRONS, is truly significant.  Platforms like Patreon help advance this.  Sure it is an old way -- didn’t DaVinci use the patron platform? -- but I don't know about you, but I want to make sure that the artists I admire are free to experiment and don’t have to pitch each new project to advance one step.  It's exciting to see folks call for the emergence of a sustainable patron class.  I am in!


  • Elliot Grove | November 30, 2013 11:36 AMReply

    Excellent list Ted from your UK fans. I'd like to add that many festivals are getting their digital strategy together and that is if great benefit to their films and Filmmakers

  • Ekim Namwen | November 28, 2013 1:10 AMReply

    I hate to break it to you, but crowdfunding is far, far, far from mainstream. Yeah, mainstream celebrities are using it, but that doesn't mean the majority of Americans understand it let alone know what it is. I live in the heart of America in one of the 15 largest cities in the US and probably 9/10 people here don't know what crowdfunding is.

  • | November 27, 2013 3:03 PMReply

    my buddy's mother makes $76 every hour on the internet. She has been laid off for 9 months but last month her pay check was $15510 just working on the internet for a few hours. Go to this web site and read more....>>

  • bwunderlick | November 27, 2013 12:16 PMReply

    Shelly, could you make a list of 14 things that support your point with some RANDOM bits of BOLD?

  • Shelly | November 27, 2013 11:07 AMReply

    I'd be thankful if Ted hope took one day off from being such a gasbag.