Innocence, Music, Love & Commerce: NYC Celebrates Ang Lee’s “Taking Woodstock”
by Brian Brooks (July 30, 2009)
"Taking Woodstock" screenwriter/producer James Schamus, cast member Emile Hirsch, director Ang Lee and Focus Features president Andrew Karpen at the film's premiere party. Photo credit: Marion Curtis/Startraksphoto.com
“Innocence lost is a theme I care about deeply,” said “Taking Woodstock” director Ang Lee at the Bowery Hotel on a wet Wednesday night in Manhattan yesterday. The film, which screened in competition in Cannes had its U.S. debut earlier in the evening and the director and cast were typically mobbed by guests and handlers at the hotel in the East Village, many clad in ‘60 garb. Afros, love beads, bell bottoms, platforms, head scarfs, tie dye and anything else flashing back to the love generation reigned supreme at the premiere party, though Lee styled himself in a more contemporary and conservative blazer. “I also care about hopefulness, which is how I viewed the era around Woodstock growing up in Taiwan. Looking back on it, I think America was at its [zenith] culturally,” he added. “America had the most popular culture, and the kids who were called hippies at the time were able to work against the establishment in an unpredented way. They challenged issues from the environment, morality, music and the power structure,” Lee told indieWIRE with a big smile as partygoers tapped him on the shoulder and arm to get his attention.
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