This year’s 16 films were selected from 841 submissions. Each is a world premiere.
Click on film title for film page.
Beats, Rhymes and Life (Director: Michael Rapaport) — The story of the rise and influence of one of the most innovative and influential hip hop bands of all time, the collective known as A Tribe Called Quest.
BEING ELMO: A Puppeteer’s Journey (Director: Constance Marks) — The Muppet Elmo is one of the most beloved characters among children across the globe. Meet the unlikely man behind the puppet – the heart and soul of Elmo – Kevin Clash.
Buck (Director: Cindy Meehl) — In a story about the power of non-violence, master horse trainer Buck Brannaman uses principles of respect and trust to tame horses and inspire their human counterparts.
Connected: A Declaration of Interdependence (Director: Tiffany Shlain; Screenwriters: Tiffany Shlain, Ken Goldberg, Carlton Evans and Sawyer Steele) — Connected is an exhilarating stream-of-consciousness ride through the interconnectedness of humankind, nature, progress and morality at the dawn of the 21st century.
Crime After Crime (Director: Yoav Potash) — Debbie Peagler is a survivor of brutal domestic violence incarcerated for her connection to the murder of her abuser. Two decades later a pair of rookie land-use attorneys cut their teeth on her case, attracting global attention to the troubled intersection of domestic violence and criminal justice.
Hot Coffee (Director: Susan Saladoff) — Following subjects whose lives have been devastated by an inability to access the courts, this film shows that many long-held beliefs about our civil justice system have been paid for by corporate America.
How to Die in Oregon (Director: Peter D. Richardson) — In 1994 Oregon became the first state to legalize physician-assisted suicide. How to Die in Oregon gently enters the lives of terminally ill Oregonians to illuminate the power of death with dignity.
If a Tree Falls: A Story of the Earth Liberation Front (Director: Marshall Curry) — The Earth Liberation Front is a radical environmental group that the FBI calls America's 'number one domestic terrorist threat.' Daniel McGowan, an ELF member, faces life in prison for two multi-million dollar arsons against Oregon timber companies. But who is really to blame?
The Last Mountain (Director: Bill Haney; Screenwriters: Bill Haney and Peter Rhodes) — A coal mining corporation and a tiny community vie for the last great mountain in Appalachia in a battle for the future of energy that affects us all.
Miss Representation (Director: Jennifer Siebel Newsom; Screenwriters: Jennifer Siebel Newsom and Jessica Congdon) — Miss Representation uncovers how American mainstream media’s limited and disparaging portrayals of women contribute to the under-representation of women in power positions – creating another generation of women defined by youth, beauty and sexuality, and not by their capacity as leaders.
Page One: A Year Inside the New York Times (Director: Andrew Rossi; Screenwriters: Kate Novack and Andrew Rossi) — Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.
The Redemption of General Butt Naked (Directors: Eric Strauss and Daniele Anastasion) — A brutal warlord who murdered thousands during Liberia's horrific 14-year civil war renounces his violent past and reinvents himself as an Evangelist, facing those he once terrorized.
Sing Your Song (A film by Susanne Rostock) — Most people know the lasting legacy of Harry Belafonte, the entertainer; this film unearths his significant contribution to and his leadership in the civil rights movement in America and to social justice globally.
Troubadours (Director: Morgan Neville) — A musical journey tracing the lives and careers of James Taylor and Carole King, pillars of the Calfornia singer/songwriter scene, which converged in and around LA's Troubadour Club in the late 1960s and early 1970s.
We Were Here (Director: David Weissman) — A deep and reflective look at the arrival and impact of AIDS in San Francisco and how individuals rose to the occasion during the first years of this unimaginable crisis.