By Nigel M Smith | Indiewire May 11, 2012 at 1:29PM
"God Bless America," the latest from comedian turned button-pushing filmmaker Bobcat Goldthwait ("Sleeping Dogs Lie," "World's Greatest Dad") is one angry movie. Goldthwait (who also penned the screenplay) takes aim at America's narcissistic culture by centering his story on Frank (Joel Murray), a divorced, recently fired and possibly terminally ill man, who takes it upon himself to rid America of dumb, bigoted people by buying a gun and hunting said people down with the help of high-school student Roxy (Tara Lynne Barr), who shares his rage.
Given that this comes from the mind of Goldthwait however (he played Zed in a string of "Police Academy" films back in the eighties and is best known for his high-pitched comedy act), "God Bless America" is also hilarious. You might be shocked to see how far Goldthwait and his game cast takes it, but you'll also be hard pressed not laugh most of the way.
Indiewire sat down with both Goldthwait and Murray to talk about the sure to be divisive dark comedy and their aversion to reality TV. ["God Bless America" hits select theaters today.]
Bob, you have a lot of bones to pick in "God Bless America." You take aim not only at reality television, but Diablo Cody, spoiled kids... What inspired all of this?
Goldthwait: It's a combination. Some of it is how I really feel and see the world. Some of it is how my wife and daughter and see the world. The Diablo Cody diatribe is about my daughter, who's a really funny kid. Whenever she says something funny, they go, "You're like Juno." And she says, "Dad, I want to stab them right in the fucking throat." So that was the inspiration for that.
But I actually think I'm upset at a lot more things, but not so broad. "American Idol," I kind of picked that because I knew, even if it got cancelled, it's been burned into our psyche. I have to say I used to really laugh at the beginning of the process of "American Idol," and then after a while, I sort of started feeling crappy about it. At one point I was like, no man I'm out. That's what the movie's about. It's about not specific things, but what is our appetite for all these distractions and why?
I want to sit in on a dinner table conversation at your house.
Goldthwait: This stuff comes up all the time. I can't explain it. The jokes my wife cracks are way more shocking that anything I've ever heard. She doesn't fuck around. "You know what else rips my cock off" -- that's the kind of thing she would say she would say in front of children. She doesn't really give a rat's ass [laughs].
Goldthwait: Dick in my ass, things like that.
Wow, match made in heaven.
Goldthwait: Yeah it was. It was definitely two star belly sneetches finding each other [laughs].
What inspired the violent streak then? You could have took aim at your targets in a totally different way.
Goldthwait: If you look at the Tea Party movement, one of the signs said something like, "We came unnarmed this time." The violence in this movie is so over the top, but it's kind of going, I'll show you crazy. I could have made a doc on how as a society we've become less tolerant, and that we're a really nasty culture. But it would have been really boring and whiny. I thought to do a satire that was extremely violent would reach more people.
Given your personal connection to the material and your acting chops why did you hire on Joel to voice a lot of your own concerns, rather than play the part yourself?
Goldthwait: I think Joel is a better actor that me. I also really want to make movies, and I take being behind the camera really seriously. I don't want to be distracted by having to act. The more movies I make, I gain new respect for actors. I really think it's hard.
What about the content of the script, Joel? Lead role sure, but "God Bless America" is pretty subversive, edgy material. Did that scare you?
Murray: Well I agree with a lot of it, almost everything. I didn't have that much trouble with the content. Shotgun and the baby bit…well, I understand that's an attention getter early in the film. I know I wasn't really going to shoot a baby, and the baby wasn't even going to be in the room when the shot went off.
Goldthwait: I could barely get it to cry. I had to growl at it. We would take its food away and it would just sit there. We would have its parents going away, nothing. So finally I got down on all fours and it started crying. I was saying that someday this kid going to be nine or ten and "Police Academy"'s going to come on and the kid's going to scream and run out the door.