Box Office: “Hurt Locker” Huge; “Cheri” Disappoints (UPDATED)
by Peter Knegt (June 29, 2009)
A scene from Kathryn Bigelow's "The Hurt Locker." Image courtesy of Summit Entertainment.
Kathryn Bigelow’s “The Hurt Locker” bowed in four theaters this weekend and according to estimates, it took in a huge $144,000 gross. That makes for a $36,000 average for the Summit Entertainment release, topping the opening of recent films like “Whatever Works” and “Away We Go” to become the second biggest limited debut of 2009, behind only “Sunshine Cleaning.” This is particularly impressive considering that, unlike those three examples, “Locker” is not a comedy and does not feature any well-known stars. It’s also set amidst the Iraq war, which has spelt box office death for essentially any other film. But it seems fantastic reviews and a plot that focuses less directly on the political or social themes of the war and more on a deadly game of urban combat, has helped “Locker” kick the losing streak, at least so far. Stephen Frears’ “Cheri” also debuted this weekend. Michelle Pfeiffer’s first theatrically released leading role in some time found a decent audience response - though mild in comparison to “Locker,” and considering its star power. The Miramax release grossed $408,000 on 76 screens, for a $5,368 average. That was good enough to place it in the overall top 20, but weak in comparison to Miramax’s seemingly annual “romantic period piece with literary appeal” offerings. Two summers ago, “Becoming Jane” opened on 100 screens in August, 2007, and grossed $972,066, making for a nearly double-that-of-“Cheri” $9,720 average. Last year, “Brideshead Revisited” opened on 33 screens to $339,616, averaging $10,291. “Cheri” was actually toppled by two Sony Pictures Classics’ holdovers beat all non-“Locker” openers in terms of per-theater-average, and continued to show significant promise. After finding great numbers in its opening last weekend, Woody Allen’s “Whatever Works” expanded 26 screens to 35 for its sophomore frame. The film held on nicely, grossing $386,269, and averaging $11,036. That puts the film’s total at $765,433 after just 10 days. “Whatever”‘s distribution sibling “Moon,” directed by Duncan Jones and starring Sam Rockwell in dual roles, did not expand its screen count this weekend, but managing to fall just 29% anyway, grossing another $127,332 on 21 screens. It’s $6,063 average was the fourth highest of any film - wide or limited - in release.
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