cinemadaily | Cassavetes’ “Husbands” On DVD Today
by Andy Lauer (August 18, 2009)
A scene from John Cassavetes' "Husbands," out on DVD today, August 18, courtesy of Sony.
Long unavailable, John Cassavetes’ 1970 film “Husbands,” at last comes to DVD today, courtesy of Sony. Cassavetes stars in the film, his followup to “Faces” (1968), along with Peter Falk and Ben Gazzara. “It’s impossible to separate what makes John Cassavetes’ ‘Husbands’ exhilarating from what makes it exasperating,” writes Sam Adams in the LA Times for the film’s reissue. “Following three suburban family men into the maw of a midlife crisis brought on by a mutual friend’s untimely death, the movie is set at a fever pitch that at times approaches outright hysteria. Rarely has depression been so manic.” Richard Brody discusses the film in a recent issue of The New Yorker: “Cassavetes had to cut the film by nearly an hour and a half to get it down to the contractual length of a hundred and forty minutes, but Columbia, the studio that produced the film, nonetheless cut another eleven minutes (restored in this DVD) during its first run, in 1970, in response to negative reviews (including one from Pauline Kael, in this magazine) and audience walkouts. Unsurprisingly, the troubled reception signals the film’s virtues: this formally radical, deeply personal work still packs plenty of surprises.” Brody also has an interesting companion piece about the stormy personal history between Cassavetes and Kael, including an anecdote about an incident in which the director threw the critic’s shoes out a taxi window. The New York Press’ Armond White recommends renting the DVD over seeing Andrew Bujalski’s latest, “Beeswax.” “Mumblecore fans should seek out the disinherited granddaddy of their movement, John Cassavetes, whose 1970 film ‘Husbands,’” writes White. “Opposing Hollywood studio methods, Cassavetes used naturalism and improvisation to convey overlooked truths about American life. Husbands illustrates Cassavetes’ ideal mix of honesty and drama because, ironically, it fused theatrical tradition with cinematic license.”
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