cinemadaily | U.S. Audiences To Be Arrested by “Bronson”
by Bryce Renninger (October 8, 2009)
A scene from Nicolas Winding Refn's "Bronson." [Image courtesy of Magnet Releasing]
Michael Peterson (Tom Hardy) was a disaffected youth who wanted to be noticed, so he took a sawed-off shotgun to a post office with an attempt to rob it. At first, he was sentenced for seven years for his crime (which barely netted him any cash), but after thirty-four years in jail, Peterson becomes Charles Bronson, taking his name from a Hollywood star. Based on a true story and a script by Brock Norman Brock and director Nicolas Winding Refn, Sundance ‘09 alum “Bronson” is released by Magnet Friday. Slant‘s Nick Shager raves about the film, “Whereas Bronson was a preternaturally nasty bloke, he was also a self-described “comedian,” and Bronson’s coup de grace isn’t simply its fitting Kubrick-indebted aesthetics—ominously patient, teasing camerawork, gorgeously symmetrical and low-level compositions, incongruous blending of sound and image, as well as its direct allusions to the Korova Milk Bar (in a strip club) and Alex’s iconic style—but its protagonist’s jet-black humor. As the famed inmate, whose bald head, upturned mustache, and imposing physique (usually nude or in white long-sleeved T-shirts) resembled that of a cartoon carnival strongman, Hardy is a whirlwind force of nature, stomping around a cell like a one-track pain train, leaping into battle with rabid-dog intensity (in one sequence, he actually takes on a Doberman), and in his first-person monologues, flashing unnervingly funny menace. Bronson so immediately and definitively establishes its template and character that each scene soon plays like a disturbed Loony Tunes cartoon replete with concluding punch(line).” Writing at Cinematical, Scott Weinberg situates the film within the prison film genre, saying, “Many good prison movies get you knee-deep into the feeling of incarceration—but this movie goes a step further by putting you into an actual prisoner. Best of all, Bronson doesn’t spin its wheels or bother with unnecessary blather. This is a tight-fisted, bare-knuckled, and consistently challenging story about a man who’s really very fascinating—but damn, you really wouldn’t want to stand in the same room with him.” For Variety‘s John Anderson the equation is clear for the film’s success, “Too smart/arty for the slasher set, and too violent for high-brows, “Bronson” may have a tough time finding its niche, although it has ‘cult hit’ written all over it.”
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