cinemadaily | “Z” Thrills the Criterion Collection
by Bryce Renninger (October 27, 2009)
Made at the end of the turbulent 1960s, a decade riddled with political assassination and unrest, Greek-born French director Costa-Gavras released his film “Z” in 1969. The film is based on the 1966 novel of the same name written by Vassilis Vassilikos. The book and the film are thinly veiled accounts of the government-sanctioned assassination of Gregoris Lambrakis and the government coverup that followed. The fast-paced thriller was incredibly critical of the military dictatorship that ruled Greece at the film’s release. “Z” made history in becoming the first film to be nominated for the Best Picture and Best Foreign Language Film Oscars. It ended up going home with the Best Foreign Language Film award as well as the Golden Globe for Best Foreign Film and Cannes’ Jury Prize. The film stars a healthy dose of French stars in the roles of the government: Jean-Louis Trintignant (Best Actor at Cannes), Pierre Dux, Yves Montand, François Périer. The cast also includes Greek icon Irene Papas in the role of the fallen politician’s widow. New York Press critic Armond White sets the film’s production in its historical context in an essay written for the new edition. In it, he says, “Carrying on the tradition of the politically informed films of Francesco Rosi (‘Salvatore Giuliano,’ ‘Hands over the City,’ and ‘The Moment of Truth’), which turned recent politics into complex, engrossing cinematic myths, Costa-Gavras would proceed to advance the political thriller toward a popular mode. His work paralleled that of Gillo Pontecorvo (‘The Battle of Algiers’) and Elio Petri (‘The Tenth Victim,’ ‘We Still Kill the Old Way,’ ‘Investigation of a Citizen Above Suspicion’), whose political exposés were also accessible as action films. This trend was distinct from such earnest, earlier cultural movements as Italian neorealism and Russian formalism in that it permitted socially conscious, politically motivated artists to pursue personal causes, infected with the excitement of the era’s post–New Wave aesthetic. Costa-Gavras was inspired to make his next leap forward in 1966, when his brother, still living in Greece, sent him the new Vassilis Vassilikos novel, ‘Z,’ a fictional account of the Lambrakis assassination. (Its title, from the ancient Greek verb zei, meaning ‘he lives,’ had become a rallying cry for Lambrakis’s supporters.)”
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