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Critical Consensus: Peter Knegt and Eric Kohn on the Oscar Season So Far

By Peter Knegt and Eric Kohn | Indiewire October 10, 2012 at 10:41AM

With great films from Steven Spielberg, Ben Affleck, David O. Russell, P.T. Anderson, Michael Haneke and more, this is starting to look like an exceptional year, in which a large volume of major Oscar contenders are also impressive for reasons that have nothing to do with their awards potential.
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Seth MacFarlane's "Family Guy."
Seth MacFarlane's "Family Guy."

KOHN: If Wallis and Riva land nominations -- and one of the two wins -- while Haneke and Phoenix take home prizes for dark, unsettling dramas with plenty of creative innovation to spare, this will be an Oscars for the ages...unless it's an embarrassment because host Seth MacFarlane combats the spark of intellect these movies represent with the half-baked sophomoric humor that pervades his work.  

Look, I have given "Family Guy" a chance. Many chances. Pretty much every episode of "Family Guy" is a series of chances, one cutaway after another hurtling a series of gags at you in the hopes something, anything, sticks. For stoned college kids, that's theoretically sufficient, until they sober up. (But I would recommend they change the channel to Cartoon Network and watch "Adventure Time" instead, as it has plenty of trippy, stream-of-consciousness inspiration behind its cartoon exterior without sacrificing narrative consistency...and it uses the Saturday morning cartoon mold to explore a post-apocalyptic world, which is a decision executed with something bordering on brilliance. Can you tell I'm a big fan? Jake and Finn for Oscar hosts in 2013!)

Of course, I get why MacFarlane was selected. As you rightly pointed out in your recent editorial, Oscar hosts have to be ridiculously versatile to do the job justice. MacFarlane can sing and dance and tell jokes in an aggressively commercial fashion, as the success of "Ted" recently proved. He's a safer choice for luring younger viewers and making the program seem relevant than Hathaway and Franco were two years ago.

But I feel compelled to push this conversation toward a focus on the movies at stake here, and worry about how the MacFarlane gamble could wind up hurting the handful of truly excellent movies the program has the power to highlight. If, the morning after the program, everybody is talking about the stupid-funny brilliance of MacFarlane's random jokes, who's going to talking about "Amour"?

One of many problems I have with "Family Guy" is that it pays homage to first-rate entertainment without explicitly acknowledging it -- a Jerry Lewis gag here, a "Who's on First" reference there -- and essentially steals its power. MacFarlane is good at appropriating greatness and spoofing it, but by hogging the spotlight could he defeat the purpose of the event in question? What say you?

Seth MacFarlane.
Seth MacFarlane.

KNEGT: While I'm not particularly a fan of "Family Guy" (I'm more or less indifferent to it), I actually really like Seth MacFarlane as a personality. Honestly, that has more to do with watching him guest on "Real Time With Bill Maher" and host "Saturday Night Live" than anything else, but still: That's probably where we'd get a better idea as to how he'd be as an Oscar host than "Family Guy." I'm less concerned about how I might take to him than I have been for some time, Oscar host-wise.  I also don't think he'll hog the spotlight in a way that would have a negative impact on the purpose of the event. It seems to me that having a host like MacFarlane could help aid the Oscars ratings significantly, meaning more people will watch and potentially get inspired to go see films like "Amour" or "Beasts of the Southern Wild."

I do agree that having Wallis, Riva, Haneke and/or Phoenix as possible winners is an exciting prospect. And while I'd be pretty surprised if either of those actresses end up winning (I suspect this is going to look like a certain win for Jennifer Lawrence and "Silver Linings" before the nominations are even announced), I'd wage a bet on Haneke and Phoenix. That said, it is just mid-October, and quite a few films have yet to be seen by anyone. These include "Django Unchained," "Zero Dark Thirty," "Promised Land," "Les Miserables." What are you most excited to see from the remaining possible contenders?

This article is related to: Academy Awards, Awards, Reviews, Critical Consensus, Lincoln, Django Unchained, Zero Dark Thirty, Beasts of the Southern Wild, Silver Linings Playbook, The Master, Argo, Life of Pi







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