Celebrating 17 Years of Film.Biz.Fans.
by Eric Kohn
December 24, 2013 10:00 AM
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Critic's Picks: 10 Movies That Deserved More Attention In 2013

7. This Is Martin Bonner

Chad Hartigan's intriguing tale of a middle-aged man who relocates to Nevada and works at a prison relocation non-profit owes much to the subtle turn by Paul Eenhoorn in the lead role. As Martin forms a bond with newly released prisoner Travis (Richmond Arquette), the story transforms into a remarkable tale of survival for both men that creeps up on you.

6." Vanishing Waves"

Lithuanian filmmaker Kristina Buožytė's trippy sci-fi drama involves a man who enters the mind of a comatose woman as part of an experiment and falls in love with her. The movie is second only to "Upstream Color" as the year's best otherworldly fictional narrative. As the man in question gets drawn into the possibilities of aiding the comatose woman, "Vanishing Waves" turns into a kaleidoscopic collage of emotions to represent the fragmented nature of consciousness itself.

5. "Dead Man's Burden"

Jarod Moshe's debut feature is a minimalist Western shot on 35mm film with a shrewd feel for the genre's many traditions: a little Sam Peckinpah violence here, a dash of John Ford sentimentalism there, a jolt of Anthony Mann bleakness all over the place, especially in the tense finale.

4. "See You Next Tuesday"

An angry rejoinder to "Tiny Furniture" that perfectly encapsulates the vibrant cynicism at the root of American underground filmmaking today. Drew Tobia's awesomely cynical portrait of a pregnant single Brooklynite alienated from her lesbian sister and mean-spirited mother has a liberating quality embedded in its snide dialogue and perceptive look at urban eccentrics. Comparisons to early Todd Solondz are apt. The movie barely had a festival life and to date doesn't have distribution, but should fall into the right hands so Tobia's name gets out there. A truly original voice.

3. "Post Tenebras Lux"

I have mixed feelings about the coherence of the ideas in Carlos Reygadas' esoterically personal, meandering, and impermeably lyrical work, but its hypnotic ingredients are impossible to shake. One of the most inventive narrative experiences of the year, it has more cinematic vision than anything else Reygadas has done before. I have to remind myself I didn't just imagine its allure, because "Post Tenebras Lux" is a movie about dreams that, by its end, transforms into one.

2. "Toad Road"

Jason Banker's semi-fictional portrait of a druggy hedonist who gets lost in the woods with his girlfriend looking for the seven gates of Hell is possibly one of the most terrifying looks at addiction since "Requiem for a Dream." Imagine the "Jackass" guys struggling with their violent tendencies while surrounded by constant denial. "Toad Road" is an assault on the senses that makes its main character's physical struggles into a personal journey.

1. Closed Curtain

Time for a year-end regret: I should've figured out a way to cram Jafar Panahi's second feature -- made while living under a travel ban in Iran (after the brilliant "This Is Not a Film") -- on to my Best Undistributed Films list. The movie premiered at the 2013 Berlin Film Festival and has yet to find a U.S. distributor -- but maybe it's better that way, so that Panahi's situation doesn't get even worse. Nevertheless "Closed Curtain" is a beautiful, often surprisingly funny look at life under confinement, and operates as a kind of narrative puzzle: It starts as the story of a man on the lam before turning in on itself with brilliantly understated results. Ultimately, Panahi's focus is on the desire to tell stories against impossible odds. It's a dynamic form of resistance that owes much to the innocence of the main character's dog, who makes Uggie from "The Artist" look like a privileged brat. The Iranian canine puts a witty and eventually profound face on the tragic state of being a simpleton in a cruel world. Aren't we all?

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  • Eli | December 31, 2013 8:31 PMReply

    All fine movies, but why no mention of BETWEEN US which ended year with A- average on Criticwire? Have you so little faith in your own metric; Eric, did you ever see it? Some of the best performances of the year; director Dan Mirvish deserves at lest a mention for his adaptation;

  • john | December 26, 2013 6:33 PMReply

    DEAD MAN'S BURDEN must have been produced by someone at IW's rich uncle. Definitely not a stand-out film from 2013.

  • Hyperbolog | December 24, 2013 7:50 AMReply

    4 other little seen films from 2013 that are amongst the years best:
    Norte, the End of History dir. Lav Diaz
    Stranger by the Lake dir. Alain Guiraudie
    Manuscripts Don't Burn dir. Mohammad Rasoulof
    Vic + Flo ont vu un ours dir. Denis Cote

  • bob hawk | December 24, 2013 1:07 PM

    STRANGER BY THE LAKE has had a good festival run in 2013, beginning with Cannes, where it was picked up by Strand Releasing. U.S. theatrical engagements begin on January 24th and it deserves as long and deep a run as possible.

  • G | December 23, 2013 10:17 PMReply

    This Is Martin Bonner, Dead Man's Burden, and Post Tenebras Lux are all streaming on Netflix. As is Jafar Panahi's This Is Not a Film.

    Thanks for this article. Great list.

  • Steve Warren | December 23, 2013 7:11 PMReply

    Am I the only one who saw Ramin Bahrani's "At Any Price"? Or did I dream it? It may not have been quite as good as his "Goodbye Solo," but it was still better than at least 95% of the crap that came out of Hollywood. Bahrani and Yen Tan ("Pit Stop") may be the best American indie filmmakers working today, and they should be allowed to keep working instead of spending most of their time raising money for their next projects.

  • Pierre | January 2, 2014 4:34 PM

    Wow, I had completely forgot that passed through 2013. I read the Times review what seems like an eternity ago and haven't heard a word about it since.

  • Ryan Lattanzio | December 23, 2013 6:07 PMReply

    Eric, if we're talking undistributed films, too, how about "The Congress"? Such a shame that most critics and viewers were so close-minded about this radical and truly amazing movie. Hopefully there will be more noise around it next year...

  • john | December 26, 2013 6:34 PM

    It's playing the Edinboro Film Series in April...

  • Chase | December 23, 2013 11:23 PM

    Drafthouse Films is distributing THE CONGRESS.


  • TC Kirkham | December 23, 2013 3:10 PMReply

    Eric, couldn't agree with you more about "Vanishing Waves" - we caught it at the Boston Underground Film Festival, and it is one of the best sci fi films of recent memory - truly haunting visuals, intriguing story idea, and an original feel that permeated the entire experience. I wish it had received more attention than it did - it was absolutely worth the mindblowing experience.

  • Steve Rhodes | December 23, 2013 2:24 PMReply

    The new president of Iran has made statements saying artists are important and shouldn't be censored by the government, so I don't think Closed Curtain getting distribution would make things worse for Panahi.

  • Joe | December 23, 2013 2:22 PMReply


  • Hahaha | December 25, 2013 12:40 AM

    agree with JD. One of the worst scripts I've had the misfortune to cover. How it got past anyone's desk is a mystery.

  • JD | December 24, 2013 11:24 AM

    What!? Trance got WAY more attentio than it deserved and it wasn't good attention either because it wasn't a good movie.

  • Lucky | December 23, 2013 2:15 PMReply

    Mostly foreign films. If this list says anything, it's that we are not paying enough attention to foreign films, and especially those with a dreamlike, ethereal aspect to it. Good filmmaking can be found outside the US, it's just a shame that it's not more accesible.

  • Armak | December 23, 2013 1:36 PMReply

    Why not tack Closed Curtains on the end of the other article so it can be found by people googling the list? I'm sure the filmmakers would appreciate it.