Decade: Sarah Polley on “Away From Her”

Are there still other aspects of filmmaking that you would still like to explore?

I’m interested in producing. But not interested enough to have a job that stressful and thankless.

Please talk about how the idea for “Away from Her” came about…

I fell in love with Alice Munro‘s short story, “The Bear Came Over the Mountain,” and couldn’t get the idea of making it into a film out of my head. I found it to be the most interesting and complex portrait of a marriage I’d ever read. I couldn’t get Julie Christie’s face out of my head in the character of Fiona. I felt like I had to make it.

Gordon Pinsent and Kristen Thomson in a scene from Sarah Polley’s “Away From Her.” Photo by Michael Gibson, courtesy of Lionsgate.

How did the financing and casting for the film come together?

The majority of the money for the film was public federal money for Canadian film through Telefilm Canada. We also received money from the provincial government of Ontario through the Ontario Media Development Corporation as well as some broadcast money and some gap financing from Echo Lake in the states.

I wrote the script with Julie Christie, Gordon Pinsent, Olympia Dukakis and Kristen Thomson in the leading roles. It certainly wasn’t easy, but somehow I ended up with them all playing the parts that were written for them.

Who are some of the creative influences that have had the biggest impact on you?

Kieslowski, Terence Mallick and Bergman.

What is your next project?

I’m just at the beginning stages of an original screenplay and another adaptation.

What is your definition of “independent film,” and has that changed at all since you first started working?

I think a truly independent film is one in which a filmmaker’s vision is the driving force. I think it’s important to have creative input and support, but too many films are now made by committee. A true independent film is one that has a distinct, unique, autonomous voice that is allowed to speak clearly without too much interference.

What are some of your all-time favorite films, and some of your recent favorite films?

”Scenes From A Marriage” by Bergman - It made me realize that the subtlest human behaviour can be more shocking than an earthquake.

”The Thin Red Line” - It single handedly lifted and carried me out of a deep depression and gave me faith in other humans. ( it’s a large statement but it’s true.)

Also “Cache” and “Notes on a Scandal.”

What are your interests outside of film?

Cooking, reading, canoeing…

What general advice would you impart to emerging filmmakers?

Always admit what you don’t know… Everybody knows you’re an amateur charlatan… The gig is up.

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