DISPATCH FROM TRIBECA | Mexico, France and Africa In Focus on Tribeca Fest’s First Weekend
"Chavez" director Diego Luna and executive producer Gael Garcia Bernal. Photo by Brian Brooks/indieWIRE
Alternating days of sun and rain greeted the first weekend of the 6th Tribeca Film Festival in Manhattan and whether it was the fluctuating weather conditions or the significantly higher prices, the festival’s advance ticket sales were down, according to a number sources (and organizers recently slashed student prices). But, a Tribeca festival spokesperson told indieWIRE that Saturday sales were “surprisingly strong given the price increase,” including 3,200 tickets sold, just slightly down from the 3,400 sold in 2007. Acceptable, she said, given the drop in the total number of films this year. Despite a drop, there was no shortage of enthusiasm for a number of festival films. A new documentary about a Mexican boxing hero (”Chavez”) and a pair of titles making the trip to Tribeca from European festivals (”2 Days in Paris” and “We Are Together”) were among the buzz films during the fest’s opening weekend. Revisting A Mexican Hero in “Chavez” Among the new films premiering, Diego Luna‘s “Chavez” drew considerable attention in the first few days of the Tribeca festival here in New York. A portrait of famed Mexican boxer Julio Cesar Chavez, Luna’s directorial debut is in part a product of his business partnership with his “Y Tu Mama Tambien” co-star Gael Garcia Bernal. Two years ago, Luna and Bernal formed Canana Films with Pablo Cruz and last year (as indieWIRE reported in 2005) they launched Ambulante, a touring Mexican documentary film festival. For his film, clearly an expression of national pride, Luna decided to explore the central relationship between Chavez and his son, a fast-rising boxer. “I wanted to show what he did as a profession, I wanted to show him as a father and more importantly I wanted to show what people think of him,” Luna explained during a Friday afternoon press conference at the festival, commenting on the choices he made for the film. “The highs and lows of Chavez were similiarly mirrored by Mexico as a country and as a society,” added Gael Garcia Bernal during the press conference, an aspect also included in the documentary. As compelling as Chavez’ incredible rise and his strong relationships was his fall. He faltered in the ring in 1994, a fateful year in Mexican history marked by revolts, the devaluation of the country’s currency, and even a volcano eruption.
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