Dwarf Hamster Odyssey: “Etienne!” Director Jeff Mizushima
by indieWIRE (June 9, 2009)
A scene from Jeff Mizushima's “Etienne!". Image courtesy of CineVegas Film Festival.
Editor’s Note: This is one of a series of interviews with directors whose films are screening at the 2009 CineVegas Film Festival. “Etienne!” (USA, 2009) What initially attracted you to filmmaking and how has that evolved since starting out? Filmmaking is addictive. It’s fun to point a camera at something and then put music over that and then watch it. Wait, is that considered filmmaking? I don’t know. I was in middle school, maybe, when I first started to point and shoot and I haven’t changed since. How did the idea for your film come about and what excited you to undertake the project? I came up with the idea while I was working at this after school program for kids. I thought it would be cool to bring a mascot or, you know, something that the kids could toss around and have fun with. So I bought a dwarf hamster and the kids responded to it quite well. They loved it actually. And then I started to charge them $5 to pet it and $10 to hold it and that’s when I realized I could make some real money if I made a movie about a hamster. How did you approach making the film, and were there any pivotal moments of learning during the life of the project for you? I wanted to shoot it like a run and gun documentary, which is basically my excuse for the poor lighting and camera work you’ll see throughout the film. And I tried as hard as I could to keep what was on screen void of cynicism. Sometimes I can be overbearingly cynical and sarcastic and I hate that about myself, so I didn’t want that to come off from watching this film. I cannot recall any pivotal moments of learning on the project, just an overall awareness to how awful my communication skills are and how that was the cause of all the problems throughout this project. I need to get a self-help book or tape on that.
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