The finalists, as well as the representatives participating in the labs, can be found below:
Tommy Oliver (writer/director/producer/editor)
1982 tells the story of a black father whose wife succumbs to a crack cocaine addiction and his efforts to shield his 10-year-old daughter from the ill effects of having a drug addicted mother while trying to wean her off of her addiction. This project was supported by the San Francisco Film Society with a SFFS / KRF Filmmaking Grant.
Jules Bishop (writer/director) and Olivier Kaempfer (producer)
Borrowed Time tells the story of the unlikely friendship between a hapless young burglar and his eccentric victim. What emerges is a bittersweet comedy about growing up and rediscovering youth in parallel, as the burglar and victim form a bond that will help them both find a way out of their respective troubles. This project is supported by Film London and the British Film Institute.
Breakfast with Curtis
Laura Colella (writer/director/producer)
Syd, an eccentric bookseller with delusions of grandeur, caused a rift five years ago between the bohemian residents of his house and the family next door. Syd now tries to draft the boy next door, Curtis, as a creative collaborator, sparking big changes for everyone around them. This project is supported by Film Independent.
Adam Collis (director/producer), Adam Robinson and David Breschel
In the scorching Arizona summer, Mark Chamberlain has 1 day to sell 19 cars—and finally free himself from his father's grip. But is he willing to do whatever it takes?
The Cold Lands
Tom Gilroy (writer/eirector), Paul Mezey (producer) and Margaret Shafer (Cinereach consultant)
After his mother’s sudden death, a young boy disappears into the deep woods of upstate New York and takes up with an unpredictable and mysterious drifter. This project is supported by Cinereach.
Rola Nashef (writer/director/producer) and Leon Toomey (producer)
Detroit Unleaded is a slice-of-life romantic comedy about twenty-something second generation Arab Americans trapped within the confines of bulletproof glass. This project is supported by IFP.
The Happy Sad
Rodney Evans (director/producer/editor)
The Happy Sad is a feature-length drama that follows two couples, one black and one white, whose lives collide as they navigate open relationships and sexual identity. This project is supported by Frameline.
Dane Clark and Linsey Stewart (co-writer/directors), Jordan Gross (producer) and Mike MacMillan (producer)
I Put A Hit on You is a darkly comedic "lo-fi" romantic thriller about a brokenhearted woman that teams up with her ex-boyfriend to try and stop the hit man she accidentally hired to kill him. This project is supported by the Canadian Film Centre.
It Felt Like Love
Eliza Hittman (writer/director) and Laura Wagner (producer)
On the outskirts of Brooklyn, a 14-year-old’s sexual quest takes a dangerous turn when she pursues an older guy and is willing to do anything to get close to him. This project is supported by the Sundance Institute.
Elisabeth Holm (producer)
In this subversive romantic comedy about growing up without regret, Donna Stern (Jenny Slate) gets dumped, fired, pregnant, and has the best worst Valentine's Day of her life.
Ping Pong Summer
George Rush (producer)
A family vacation during the summer of 1985 changes everything for a teenage boy obsessed with Ping-Pong. This project was supported by the San Francisco Film Society with a SFFS / KRF Filmmaking Grant.
Jonathan Duffy (producer)
Two men. A small town. A love that isn't quite out of reach. Recovering from an ill-fated affair with a married man, Gabe finds solace in the relationship he maintains with his ex-wife and daughter. On the other side of town, Ernesto evades life at home with his current live-in ex-boyfriend by spending much of his spare time in the hospital with an ailing past love. This project is supported by the Sundance Institute.
Stay tuned for more coverage of A2E: Artist to Entrepreneur in the coming weeks.