Click to Skip Ad
Closing in...
Steve Carell Redefined His Career By Surprising Everyone in 'Foxcatcher' Steve Carell Redefined His Career By Surprising Everyone in 'Foxcatcher' Watch: Ellar Coltrane on the 'Brutal' Experience of Watching 'Boyhood' After Living It Watch: Ellar Coltrane on the 'Brutal' Experience of Watching 'Boyhood' After Living It Mortem Tyldum Explains Why Alan Turing Was the Right Subject For His First English-Language Film Mortem Tyldum Explains Why Alan Turing Was the Right Subject For His First English-Language Film Why Richard Linklater’s ‘Boyhood’ is a Great, Unexpected Awards Season Frontrunner Why Richard Linklater’s ‘Boyhood’ is a Great, Unexpected Awards Season Frontrunner Watch: Patricia Arquette on Stripping Away Ego to Get to the Heart of 'Boyhood' 
Watch: Patricia Arquette on Stripping Away Ego to Get to the Heart of 'Boyhood' 'Whiplash' Breakout Miles Teller Has Officially Arrived 'Whiplash' Breakout Miles Teller Has Officially Arrived Michael Keaton Dug Deep to Deliver the Best Performance of His Career in 'Birdman' Michael Keaton Dug Deep to Deliver the Best Performance of His Career in 'Birdman' Mark Ruffalo Explains Why Dave Schultz Was One of the Most Complex Characters He's Ever Played Mark Ruffalo Explains Why Dave Schultz Was One of the Most Complex Characters He's Ever Played Keira Knightley on 'The Imitation Game' and Why Awards Matter Keira Knightley on 'The Imitation Game' and Why Awards Matter Katherine Waterston On the Good and Bad of Working With Paul Thomas Anderson Katherine Waterston On the Good and Bad of Working With Paul Thomas Anderson Emma Stone Proved She Can Do It All in 2014 Emma Stone Proved She Can Do It All in 2014 Jon Stewart is Off to a Strong Start with Directorial Debut 'Rosewater' Jon Stewart is Off to a Strong Start with Directorial Debut 'Rosewater' Awards Spotlight: Don't Be Surprised When J.K. Simmons Takes Home Oscar Awards Spotlight: Don't Be Surprised When J.K. Simmons Takes Home Oscar Jessica Chastain Proved She's a Total Chameleon in 2014 Jessica Chastain Proved She's a Total Chameleon in 2014 Laura Poitras on 'CITIZENFOUR,' The Most Dangerous Work She's Ever Done Laura Poitras on 'CITIZENFOUR,' The Most Dangerous Work She's Ever Done Jake Gyllenhaal On Doing Very Bad Things in 'Nightcrawler' Jake Gyllenhaal On Doing Very Bad Things in 'Nightcrawler' Channing Tatum Explains Why It Took Him Eight Years to Have the ‘Balls’ for ‘Foxcatcher’ Channing Tatum Explains Why It Took Him Eight Years to Have the ‘Balls’ for ‘Foxcatcher’ Ethan Hawke Didn't Know That Richard Linklater Would Bring 'Boyhood' Home So Well Ethan Hawke Didn't Know That Richard Linklater Would Bring 'Boyhood' Home So Well Jack O'Connell Explains What It’s Like to Work For Angelina Jolie Jack O'Connell Explains What It’s Like to Work For Angelina Jolie 'Red Army' Director Gabe Polsky Reveals the Story of Soviet Hockey 'Red Army' Director Gabe Polsky Reveals the Story of Soviet Hockey How Felicity Jones is Getting Noticed This Awards Season How Felicity Jones is Getting Noticed This Awards Season Edward Norton Goes Full-Blown For Alejandro González Iñárritu in 'Birdman' Edward Norton Goes Full-Blown For Alejandro González Iñárritu in 'Birdman' How Eddie Redmayne Transformed His Body and Mind to Become Stephen Hawking How Eddie Redmayne Transformed His Body and Mind to Become Stephen Hawking Oscar Isaac Explains How 'A Most Violent Year' Fits With His Other Roles Oscar Isaac Explains How 'A Most Violent Year' Fits With His Other Roles Timothy Spall Almost Went Mad to Play 'Mr. Turner' For Mike Leigh Timothy Spall Almost Went Mad to Play 'Mr. Turner' For Mike Leigh 'Gone Girl' Composer Atticus Ross: How to Write a Score Without Seeing the Film 'Gone Girl' Composer Atticus Ross: How to Write a Score Without Seeing the Film How to Play James Brown, By Chadwick Boseman: Study the Man, Listen to Drake How to Play James Brown, By Chadwick Boseman: Study the Man, Listen to Drake Chris Rock on Why Making 'Top Five' Was a No-Brainer Chris Rock on Why Making 'Top Five' Was a No-Brainer Steve James and Chaz Ebert Tackled 'Life Itself' Steve James and Chaz Ebert Tackled 'Life Itself' Bennett Miller Explains Why He Had to Make 'Foxcatcher' Bennett Miller Explains Why He Had to Make 'Foxcatcher' How Do You Roll Six Movies Into One? 'Wild Tales' Director Damian Szifron Explains How Do You Roll Six Movies Into One? 'Wild Tales' Director Damian Szifron Explains How Rosario Dawson Stole the Show From Chris Rock in 'Top Five' How Rosario Dawson Stole the Show From Chris Rock in 'Top Five' Alan Hicks: From Drummer-Surfer to Oscar-Shortlist Filmmaker Alan Hicks: From Drummer-Surfer to Oscar-Shortlist Filmmaker Alejandro González Iñárritu: 'Birdman' Could Have Been 'so wrong' Alejandro González Iñárritu: 'Birdman' Could Have Been 'so wrong' Amir Bar-Lev Likes to Make People a Little Uncomfortable Amir Bar-Lev Likes to Make People a Little Uncomfortable

Final Box Office: 'Obama's America' Tops Chart From Single Texas Screen

Photo of Peter Knegt By Peter Knegt | Indiewire July 17, 2012 at 1:25PM

Each Tuesday, Indiewire publishes a box office chart that sorts the final weekend numbers of all specialty releases by per-theater average. You can check out the full chart here, but here are some highlights:
1
"2016 Obama's America"
"2016 Obama's America"

Each Tuesday, Indiewire publishes a box office chart that sorts the final weekend numbers of all specialty releases by per-theater average. You can check out the full chart here, but here are some highlights:

Top Per-Theater Average and Best Debut: "2016 Obama's America" (Rocky Mountain Pictures)
The anti-Barack Obama documentary “2016: Obama’s America" -- written and directed by John Sullivan and “The Roots of Obama’s Rage” author Dinesh D’Souza -- hits theaters nationwide on July 27 (via Rocky Mountain Pictures, or the same folks that brought you "Atlas Shrugged, Part I" and "An Inconsistent Truth"). But it opened on a single Houston screen first this past weekend, and managed a very impressive $31,750 -- by far the highest per-theater-average of any film in release. It remains to be seen whether it can pull in relatively decent numbers outside Republican hotbeds like Texas, but we'll find out soon enough (check out our interview with the film's producer here).

Worst Debut: "The Obama Effect" (ARC Entertainment)
Another Obama-themed film didn't manage so well.  Arc Entertainment's narrative film "The Obama Effect -- directed and starring Charles S. Dutton -- was released exclusively through AMC theaters on 25 screems.  The film grossed just $73,000, averaging only $2,920. The film is a fictional account of the "Obama fever of 2008," focusing on the life of one man (Dutton) who deals with the ups and downs of the campaign.

Best Non-Obama Related Debut: "The Imposter" (Indomina)
Indomina released acclaimed Sundance doc "The Imposter" on a single screen and found the best per-theater-average of any film in release save "2016 Obama's America" as it took in a very promising $22,379. The film -- directed by Bart Layton -- centers on a young Frenchman who convinces a grieving Texas family that he is their 16-year-old son who went missing for 3 years. Indomina will expand the film in the coming weeks.

Most Impressive Expansion: "Beasts of the Southern Wild" (Fox Searchlight)
After a hugely successful first two weekends in considerably limited release, Benh Zeitlin's "Beasts of the Southern Wild" expanded from 19 to 81 theaters in its third frame.

The result? A 111% surge in grosses. "Beasts" took in a $790,535 gross and a $9,760 average. 

"The film performed well in all new markets we opened this weekend, and good word of mouth should propel the picture as we continue to incresase the overall number of theatres," said Frank Rodriguez, SVP Domestic Distribution at Fox Searchlight.

The film will open in 22 more new markets on July 20th, and add additional theatres in existing markets. Its total now stands at $1,692,675.

Milestones: "Moonrise Kingdom" (Focus Features )
In its eighth weekend, Focus Features' "Moonrise Kingdom" crossed the $30 million mark as expanded slightly from 884 to 924 screens. lt held on strong, dropping just 18% in grosses. The Wes Anderson film took in $3,704,507, placing in the overall top 10 yet again and averaging a very healthy $4,009.

Notably, the film's 47% increase on Saturday (over Friday’s gross) is the second greatest Friday to Saturday increase the film has posted since opening. 

The film's new total is $32,483,002. It is the second highest grossing Anderson film, after 2001's "The Royal Tenenbaums." At this rate, it should be set to pass the $40 million mark -- rivalling "The Best Exotic Marigold Hotel" as the highest grossing indie of 2012 so far.

Check out the full box office chart.

This article is related to: Box Office






Check out Indiewire on LockerDome on LockerDome



Awards Season Spotlight

Contender Conversations

Indiewire celebrates the best and brightest from Independent film, Hollywood, and foreign cinema.

More