You give a stoner performance that rivals the best of them. Who did you look to for inspiration, if at all?
I love certain stoner performances, and obviously have a lot of stoner friends. I mean, they're around. I have an ex-girlfriend who inspired me a bit. Not that she was a stoner, it was just her energy that I kind of identify with stoners; the way that sometimes their thoughts don't match what they're saying, or how they'll change a thought mid-sentence.
I thought about James Franco in "Pineapple Express," Cory Feldman in "The Burbs." He's not explicitly a stoner in that movie, but I mean he is, and chances are Cory Feldman was high (laughs).
Drew in general wanted us to play it straight. These are five friends that really love each other. In terms of the "Scooby-Doo" stock characters, I always thought of Scooby. Marty is very loyal. He has that dog-like loyalty. It's funny, because obviously there's Shaggy written all over him, but at the time I thought Scooby. Not that that's helpful for the acting.
So how did "Much Ado" come about? People are really buzzing about this project.
I was in New York, we were doing a workshop for "Death of a Salesman." I got an email from Joss. It came in these stages, it was kind of funny. The first one pretty simple, saying, "Hey I'm thinking of doing another Shakespeare reading, and I want to film this one. Are you interested?" And I'm like, absolutely, done. Then he came back and he said, "I'm thinking of doing 'Much Ado About Nothing,' and you'd be Claudio, a bigger part." And I'm like, absolutely. Then he said he wanted me to play him like a temperamental jock. Then all of a sudden I started getting emails about wardrobe and social security. Am I being paid for this? What the hell is going on?
Then when I got to LA, he asked me over for rehearsal. Once I got to his house, there was a grip truck outside. It was his wife who encouraged him to make it during his time off from "The Avengers." The house [we shot in], she designed it. If anything, Joss said if all else fails, it's a love letter to the house.
Joss is more known for his brand of writing, than his directing. How did he leave his imprint on this version of "Much Ado"?
Such a good question. He's been talking about "Much Ado" for such a long time, back before "Dollhouse." He's always had some fascination for "Much Ado." It's a modern-day version, he's got his regulars, it's going to be a familiar cast.
I think Benedict and Beatrice, they are the anti-romantics. They're kind of like Joss Whedon characters. They're in a conventional storyline breaking conventions. They're hyperaware, witty and very cynical. They have all these quips and funny remarks about their surroundings that are typical [Joss]. They observe their situation in an ironic manner. You think of strong leading women, and Beatrice is kind of perfect. Maybe that's why he has this affinity to this play, more so than other ones. Beatrice is a character that he would want to write.
Now you're working opposite our new Spider-Man Andrew Garfield on Broadway, and you acted alongside Chris Hemsworth, who plays Thor, in "Cabin." Do you want to follow suit?
I told Joss I just want to be killed by Chris [in "The Avengers"]. I don't want a role, I just want to turn a corner and get the hammer in my face, because I love Chris. I was like, please, I don't need to be credited. I just want to be killed by Thor.
I want them to do a "Legend of Zelda." I want to play Link.