By Cameron Sinz | Indiewire July 6, 2013 at 12:25PM
Take a look at all of these stories and more below as we go back over the ten most viewed news, interviews and features from this week at Indiewire:
In the third of our four month summer indie "must-see" lists, we looked at the 9 films to see when they enter theaters later this month. With new films from Woody Allen, Joe Swanberg, and Nicolas Winding Refn all arriving, July is already one of the most heavily anticipated months of the season, but with festival favorites like the Sundance Grand Jury prize winning "Fruitvale Station" and festival-favorite "The Act of Killing" among others, its shaping up to be one of the most anticipated months of the year.
With indies seeing releases just as frequently On Demand as in theaters, we also looked at what indies to see from the comforts of your home, including both Nicolas Winding Refn's "Only God Forgives," and Joe Swanberg's "Drinking Buddies." Other highlights include the sci-fi horror comedy "Grabbers," child magician doc "Magic Camp," and the Kristen Bell starring comedy "The Lifeguard."
4. Watch: Eerie 'Gatsby' CGI-Less Clip Goes to Show How Many of Your Favorite Movies Rely on Bells and Whistles
In the age-old tradition of removing laugh tracks from your favorite sitcoms, a new video has surfaced of Baz Luhrmann's "The Great Gatsby," showing its many visual effects filled scenes before and after post production. While some effects like the massive cityscapes and glowing green light were clear examples of CGI additions, the video also shows that just about every set was in some way computer generated and gives a fascinating insight into just how much work went in to creating the film's shiny, over-the-top world.
With a successful Sundance debut behind them, "Howl"-filmmakers Rob Epstein and Jeffrey Friedman's Linda Lovelace biopic "Lovelace" has received its first trailer before its release next month. Starring Amanda Seyfried in one of her first major adult roles, as the titular pornographic movie legend and "Deep Throat" star, the film follows her relationship with husband and manager Chuck Traynor as well as her notorious career.
With the year now halfway through, the $20 million plus box office successes"Mud" and "The Place Beyond The Pines" look hard to topple as the highest grossing indies of the year. Meanwhile, the more recent buzz surrounding Sofia Coppola's "The Bling Ring," and the continued push behind Richard Linklater's "Before Midnight" have caused both to enter the year's top ten grossing indies so far. Take a look at the link above for the full list as it stand from June 30th.7. David O. Russell Explains His Mental Health Advocacy, His Screenwriting Secrets, and Why 'American Hustle' Won't Be Like 'Argo
Following his receiving of the Nantucket Film Festival's Screenwriters Tribute Award, David O. Russell sat down with IW's Eric Kohn to discuss his upcoming film "American Hustle," while also still focusing on his mental health advocacy following the success of "Silver Linings Playbook." Talking about his upcoming film, Russell championed Christian Bale's performance while talking about his own relationships to the characters he writes, as well as the overall writing process he has faced on his most recent projects.
As directors like Steven Spielberg, George Lucas, David Lynch and Stephen Soderbergh bemoan the impossibility of seeing their dream projects make it to the big screen in the current age of film financing, Colin Brown, Editorial Director of Slated.com, attempted to explain how the current state of financing has created these sentiments. While blame has often been put on the financiers, the industry's reliance on retaining old standards has led to a self-implosion, and according to Brown the need for a new class of film financier is far from the narrative these directors are pushing.
9. FX's New Drama 'The Bridge' Sets a Typical Serial Killer Story Against a Terrific Border Town Backdrop
Following FX's tradition of crime-solving dramas with a focus more on their characters and communities than the crimes inhabiting them, the new series "The Bridge," follows the hunt for a serial killer against the backdrop of the US-Mexican border, bringing all social and political issues involved along for the ride. While over the top dramatics and heavy handedness take away from the show in its first episodes, IW's Alison Willmore believes there's enough interest in the show's plotting to suggest a long term potential for the Demian Bichir-Diane Kruger starring series to evolve into something much greater than the sum of its parts.
After the initial critical acclaim of its first original series "House of Cards," the mixed reception of "Hemlock Grove" and "Arrested Development," have forced Netflix back into an uncertain position for its narrative constraint free programming, but with its new series "Orange is the New Black" the online service may have its best series yet. By retaining the constraints of traditional TV in lieu of abandoning them completely, the series is able to create a empathetic narrative while allowing itself to fall back on episode-specific storytelling, making it a great case for allowing some narrative restraints to stick around in the age of online programming.