Hot Docs ‘09: Subjects on the Margins

iw by Basil Tsiokos (May 7, 2009)

The habitual criminal subject of director Helena Trestikova’s “Rene” faces the legal system regularly over the 20 years the project was filmed. Following him in and out of prison, and encouraging his efforts to become a writer, Trestikova explicitly explores the documentary filmmaker/subject relationship, crafting an incredibly intimate portrait of a self-described “useless parasite on humanity” who is revealed to be far more complex.

A scene fromChristie Callan-Jones’ “Cat Ladies.” Image courtesy of Hot Docs.

“Diary of a Times Square Thief,” making its international premiere, also focuses on subjects operating on the seedy side of society. Acquiring a would-be writer’s journal describing the dangerous world of 1980s New York City, director Klaas Bense seeks out its various characters, including addicts, former prostitutes, and the journal’s author, to discover what has happened to these forgotten people.

Among the quirkier subjects, which may not deal with quite so heady topics, but nevertheless focus on people located somewhere on the fringes of “normal” society, two world premieres deal with feline lovers: Camilla Calamandrei’s “The Tiger Next Door” and Christie Callan-Jones’ “Cat Ladies.” “Tiger” presents the layered story of a big cat collector who must find homes for the tigers and cougars he keeps on his property after he is cited with violations and concerns from neighbors. Presented as both a potential victim and victimizer, he makes for a fascinating, ambivalent subject, as do the four women featured in “Cat Ladies.” Ranging from owners of three to over a hundred cats, Callan-Jones considers the stereotype of the “crazy cat lady” and what led them to their present circumstances and emotional investment in having cats, and in some cases, “rescuing” them off the streets.

Far from sensationalizing or trivializing their subjects, these films, and others featured in Hot Docs, instead expertly and sensitively remind us of the collaborative nature of the craft of non-fiction film - employing their subjects’ participation to spotlight stories that would otherwise not be told, or not told nearly quite so well.

[Basil Tsiokos is Programming Associate, Documentary Features for the Sundance Film Festival.]

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posted on May 7, 2009
Films to Snag
AFI Fest
AFI Fest '09
BROKEN EMBRACES
A Film By Almodovar, Starring Penelope Cruz
Opens New York 11/20, Opens Los Angeles 12/11
Opens additional cities 12/25
Where is it opening by you?
www.sonyclassics.com/brokenembraces/dates.html
"Astonishing! A Masterpiece!"
Jeffrey Lyons, KNBC Weekend Today
"Cruz with Almodovar makes BROKEN EMBRACES soar!"
Richard Corliss, TIME
Written and Directed by Pedro Almodovar
www.brokenembracesmovie.com
www.facebook.com/brokenembracesmovie