From Corporate Videos to CannesThe late Jim Carroll once said that Levon Helm was the only drummer who could make you cry, and he was absolutely right. Levon’s touch was so delicate, so deft, that he gave you more than just a beat – he gave the music a pulse. And his high, ringing voice was just as soulful. His bandmate Robbie Robertson wrote “The Night They Drove Old Dixie Down” for Levon to sing, and I’ll never forget how moving it was to watch him sing it during their final performance at Winterland, which is one of the high points of the movie we made from that show, The Last Waltz. Levon was a gentleman, a consummate artist (and, I might add, a wonderful actor – his performance as Loretta Lynn’s father in Coal Miner’s Daughter is rich, understated, and very moving), and he loved music as deeply and truly as anyone I’ve ever met. I consider myself fortunate to have worked with Levon, and I am one among many, many people who will miss him.
4 Comments
rachel | April 28, 2012 2:46 PM
I agree with you Jev and Jerry. Look closely at his comment, and recall the big rift between Robertson and Helm over the rights of many of The Band's songs. Robertson contends that he has written several, if not all, of The Band's songs. Helm, in This Wheel's On Fire, maintains that many of the songs were co-written with himself, Hudson, Danko, and Manuel. Helm had a very unique perspective about the way bands should function. He never wanted to place any one member at the forefront because he felt strongly in each memberâs participation in all facets of the musical process. This also included each memberâs access to fame: Helm felt all members should share the âfamous spotlight.â
Robertsonâs narrative around the song rights issue still asserts (and has been asserting ever since the dawn of this issue) that he did write all of The Bandâs songs. Scorsese's comment, "His bandmate Robbie Robertson wrote âThe Night They Drove Old Dixie Downâ for Levon to sing, and Iâll never forget how moving it was to watch him sing it during their final performance at Winterland, which is one of the high points of the movie we made from that show, The Last Waltz," supports Robertson's narrative.
Here's what's really happening in this quote: Scorsese has reiterated, again, what Robertson has also been saying for many years: Robertson wrote all of The Bandâs songs. I understand that Robertson has in mind to write a memoirâhe claims growing up part Native and having aunts who told him he was full of stories (again to support his narrative about his ability to write songs) prompted him to do so. In an April 11, 2011 Rolling Stone article, writer Matthew Perpetua, says Robertson has signed a contract with Crown Publishers and the Knopf Random Canada Publishing Group.
Essentially what this means: Now that Helm has passed and can no longer voice his dissent regarding this matter (unless Hudson does), Robertson can continue to get away with claiming he wrote all of The Bandâs songs. He has got years and years of comments that support this, as does he have Scorsese to support this also. It'll be interesting to see how this plays out.
JEV | April 20, 2012 10:50 PM
"Helm called "The Last Waltz" -A DISTASTER! So far nothing I have read for the exception of his own words can explain this further. I perhaps speculate it was all the Robertson "show-boating" going on not only in the Film but within The Band. The constant fighting between taking the credit and not. Levon leaves us that haunting and dramically truthful voice of his own pain and southernly gentleman he was. JEV - Orlando
jerry | April 20, 2012 2:09 PM
Levon hated Scorsese and the whole experience of making their movie together. Read his account of making the Last Waltz in his blindingly honest book, This Wheel's On Fire.