What it's about:Lizzie can't conceive. Her best friend Andie gets knocked up from a one night stand and offers to give Lizzie the baby. Complications ensue.
Tell Us About Yourself: I’m a native New Yorker and my background is originally in theater. I started off as an actor and my dear friend Aliza Waksal, who was also acting at the time, suggested I write something for us both to perform in. It was strange to me that she had made the suggestion since I had never written a play before, but the fact that she was so relaxed about the whole thing gave me the courage to do it. So I owe Aliza a lot because she is really the reason I started writing. And then I found I actually preferred writing to acting though I soon discovered how difficult it was (for me at least) to go from writing plays to writing films, which is a very different beast. Developing my skills as a screenwriter is something I’ve worked at for a long time. And I knew years ago that I wanted to direct but it took a while to muster up the confidence to do it. Like many people in this business, it’s been a long road for me with a lot of ups and downs. That’s why it’s all the more gratifying to have my first film premiere at SXSW and I’m truly grateful to Janet Pierson and everyone else at the festival for this opportunity. That might sound like a canned response but it’s absolutely true.
What else do you want audiences to know about your film? I want people to know that this movie is not just for chicks! Men should go see it as well. As a lady writer/director I do feel a certain responsibility to create roles for other ladies since there’s such a lack of quality female parts out there (although I think in the last few years it’s definitely gotten better). But I also really love writing male characters and men are an essential part of this film’s story.
What was your biggest challenge in developing this project? The process of developing the project was actually fairly smooth but there were certainly logistical challenges like finding the right locations and getting everyone’s schedules to align. I imagine that’s the case on every movie.
What would you like SXSW audiences to come away with after seeing your film? I hope the audience enjoys the experience of watching the film, and that they’re reminded we’re all human and flawed, and most of us at one time or another have tried to force on our lives a situation that was possibly not meant to be. When you want something bad enough –- be it a child or a mate or the fulfillment of a life’s dream –- it can be easy to ignore all the signs that suggest it isn’t going to work out. I also hope people walk away recognizing a bit of themselves or someone they know in these characters. That would make me happy.
Did any specific films inspire you? A film that I always go back to is “You Can Count on Me” which Kenny Lonergan wrote and directed. It’s another character-driven independent film and it’s just expertly done on every level. I’m a huge Lonergan fan -- his plays as well as his movies.
What camera did you shoot on? Arri Alexa.
What did you edit on? Final Cut Pro.
What do you have in the works? I’ve written a couple of other movies that I’m very excited about -- both of which I want to direct. One is another dramedy about a woman floundering after her divorce who strikes up an unlikely friendship with her older, eccentric Iranian landlord and in the process learns to stand on her own. The other script is a comedy about a woman who finally finishes her long-gestating novel but the computer she wrote it on is stolen when her apartment gets burgled by a charming English man who’s ill suited to a life of crime. She manages to track her robber down and forces him to help her get her computer back and in the process they wind up falling for each other. Meanwhile she must keep it a secret from her father, a jaded Irish cop who nurses an irrational hatred for the English. So a lot of the humor comes from the culture-clashes that occur between the American, English and Irish characters we meet throughout the story. It was a total blast to write. And then I also have a few other scripts that are in the outline stages.
Indiewire invited SXSW directors to tell us about their films, including what inspired them, the challenges they faced and what they're doing next. We'll be publishing their responses leading up to the 2013 festival.
Keep checking HERE every day up to the launch of the festival on March 8 for the latest profiles.