What it's about:A cop and robber tale about power shortage set in Kanpur, India - the story unfurls in a summer of crisis, tracing a conflict as complex as the web of wires over the city.
What else should audiences know?: "There are several great films about social issues in India, but they travel between foreign broadcast and festivals and niche audiences at home, and rarely get seen in the places where they have the potential to engender change. We want to change that. Someone once described the film as the Bollywood documentary. We don’t much care for the Bollywood tag, but we think that speaks of the time we spent on making the film feel like a movie for audiences back home. It has great music by Amit Kilam and Rahul Ram of the band Indian Ocean and the brilliant Nora Kroll-Rosenbaum. It’s been put together by the best technical talent in the Indian industry, who have poured so much soul into it. "
On the challenges: "The next most difficult thing was to get the electricity company to trust us and work with us. Afraid of what we may be up to filming the legendarily byzantine Indian officialdom, we were often accused of peddling poverty-porn and airing the nations dirty laundry, while we were trying to do justice to both sides of the story. It took a long while to build mutual trust, but eventually we’ve managed to give you a glimpse of the bureaucracy like never before, and to do justice to their perspective. And then there were the chaotic and calamitous streets of Kanpur; a central character who is actually a maniac (and a friend)… 250 words are simply not enough! Thankfully we got the right support at crucial times and were able to chug along."
What they hope audiences will walk away with: "We want them to take the ride and step off at one hour twenty minutes, only to carry the film in their conversations to cafes, kitchens, classrooms, drawing rooms, all over the world. This is a film about a global challenge - energy poverty. While we were at the Sundance Labs last fall, the power-cuts in lower Manhattan were all over the news. Now take that and make it a year round phenomenon, as common as your morning alarm. Oftentimes electricity is not simply a matter of flicking a switch, and we’d like to start that conversation…"
Films that inspired them: "Tough to say but if we are to pick one film it would be Battle for Algiers because of how the story of conflict in a city is narrated from opposing perspectives. In general we wanted a dual approach that brings together the fly-on-wall style of Fredrick Wiseman with a heavily involved character-based approach. And Loha models himself on the angry-young-man that Amitabh Bachchan portrayed in his early films, which are the only films he watches, so I guess some of that found reflection in the film."
Indiewire invited Tribeca Film Festival directors to tell us about their films, including what inspired them, the challenges they faced and what they're doing next. We'll be publishing their responses leading up to the 2013 festival.
Keep checking HERE every day up to the launch of the festival on April 17 for the latest profiles.