CANNES: Lee Daniels Talks 'The Paperboy'
CANNES REVIEW: 'On the Road'
Halfway Through: The Mixed Bag of Cannes
CANNES Q&A: Jennifer Lynch
CANNES REVIEW: 'Holy Motors'
CANNES: IFC Takes 'Sightseers'
VIDEO: Bernal Talks 'No' at Cannes
CANNES REVIEW: Kiarostami's Latest
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CANNES: Andrew Dominik Talks 'Killing'
April 25, 2006 12:31 PM
| by Indiewire
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CANNES: Jeff Nichols Talks 'Mud' -
Is Adult Swim Stuck in a Rut? -
The Top 5 Contenders for the Palme d'Or -
CANNES REVIEW: 'Cosmopolis' -
Movie Lovers We Love: Dirty Looks
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Palme d'Or Winners and the Box Office -
Cannes Director's Fortnight Honorees -
David Bordwell on the Digital Transition -
Lohan's Liz Taylor Has Found Her Burton -
Cannes' Critics' Week Winners
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Philip Kaufman on 'Hemingway & Gellhorn' -
Sundance Selects Takes Loach's 'Share' -
Cannes Short Films Winners -
Sony Pictures Has 'Revenge' -
CANNES REVIEW: 'The Paperboy'
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FUTURES: 'Intouchables' Star Omar Sy -
Cannes 2012: A Guide To All The Films -
CANNES REVIEW: 'Sightseers' -
The Joy of 'Revenge' -
CANNES REVIEW: 'Post Tenebrus Lux'
NY Times: At the Tribeca Festival, Heavy on the Reality, Light on the Light
In the NY Times, Stephen Holden asks, "Whatever happened to the notion of movies as the "'Great Escape?' As the fifth annual Tribeca Film Festival consumes New York over the next two weeks, a more apt description of the mood of world cinema expressed in TriBeCa might be "No Escape." From tonight's (Tuesday's) opening film, "United 93," to "The Road to Guantanamo" to "The War Tapes"" (the titles tell you the subject matter), brute reality and simulations of it constitute the artistic flashpoints of a festival obsessed with history and current events and short on love stories and fluffy comedies.
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