New 16 Day BAMcinemaFEST Offering 14 NY Premieres
by Brian Brooks (April 20, 2009)
A scene from Cruz Angeles' "Don't Let Me Drown." Image courtesy of BAM.
Just as New York’s largest film festival, Tribeca, is set to launch this week, another event is staking claim to the city’s film scene. The sixteen day BAMcinemaFEST, spotlighting “independent films and repertory favorites,” will open June 17 at Brooklyn’s BAM Rose Cinemas with highlights including fourteen New York premieres, an all-day shorts Sunday, and two outdoor screenings. The festival, announced last month, replaces the former Sundance at BAM series that typically took place in June, though many of this year’s BAMcinemaFEST’s roster hail from the popular January festival. Cruz Angeles’ “Don’t Let Me Drown” will kick off BAMcinemaFEST’s debut. The film is a post 9/11 drama described as a “simple story, layered characters, and standout performances.” Other fest highlights include its Centerpiece screening of Fritz Lang’s “Metropolis” (1927) with live accompaniment by 3epkano & an all-night movie marathon, June 27, in addition to an evening with Arnaud Desplechin as part of BAMcinematek’s 10th anniversary. Organizers have unveiled the complete lineup for the inaugural event. “As a programmer, it is a pure joy to have the freedom and the platform to present such a diverse range of films and events under one banner,” said Florence Almozini, BAMcinématek’s Program Director, in a statement, adding, “It is wonderful to be able to highlight some past successes and bring back classic audience favorites.” New York dramatic and documentary feature premieres (descriptions provided by the festival): “Beeswax,” Andrew Bujalski’s (Funny Ha Ha, Mutual Appreciation) intimate story of twin sisters in Austin “Big Fan,” the culture of celebrity is challenged in Robert D. Siegel’s (writer of “The Wrestler”) debut film about a hardcore New York Giants fan. “Brock Enright: Good Times Will Never Be the Same,” Jody Lee Lipes’ provocative doc follows the N.Y. artist as he prepares a video installation for his first solo show in a Manhattan gallery.
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