RSS Get The News Instantly

“Observe and Report” Joins SXSW Fest as Centerpiece

by Brian Brooks (January 13, 2009)
“Observe and Report” Joins SXSW Fest as Centerpiece
A scene from Jody Hill's "Observe and Report," which will screen as the Centerpiece at the SXSW Film Festival in March. Image courtesy of the festival.

Writer/director Jody Hill’s “Observe and Report” will screen as the Centerpiece event at the SXSW Film Festival and Conference, taking place in Austin, TX March 13 - 21. The Warner Bros. Pictures release is described as a “dark comedy starring Seth Rogen (‘Pineapple Express,’ ‘Knocked Up’) as Ronnie Barnhardt, a deluded, self-important head of mall security who squares off in a turf war against the local cops. Opening wide on April 10, 2009, the film also stars Anna Faris, Michael Pena and Ray Liotta.

Rogen previously attended the 2007 Festival with the world premiere of “Knocked Up,” which went on to gross nearly $150 million in its domestic release.

Also joining this year’s line up is SXSW alum Gary Hustwit’s (“Helvetica”) “Objectified,” which documents the creative processes of some of the world’s most influential industrial designers. Fellow SXSW alum Andrew Neel will take “New World Order” to the festival. The film spotlights conspiracy theorists is a behind the scenes look at the underground anti-globalist movement. The film chronicles celebrity radio host and underground cult hero Alex Jones, (of “Waking Life” and “A Scanner Darkly”), and other conspiracy theorists on their ceaseless quests to expose the ‘massive global conspiracy’ that they believe threatens the future of humanity.

Ben Steinbauer’s “Winnebago Man,” meanwhile turns the lens on Jack Rebney, described as “the most famous man you’ve never heard of,” who became an Internet superstar after cursing his way through a Winnebago sales video. Web activist and filmmaker Brett Gaylor also joins the roster with “RiP: A Remix Manifesto,” which explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. Gaylor’s documentary features artists like Girl Talk, who employ mash-up techniques, mixing samples of existing music into new songs.  Interviews with additional artists, lawmakers, companies and consumers are interspersed with animation, archive footage and collages.

The SXSW Film Festival will open on March 13th with a screening of “I Love You, Man,” directed by John Hamburg and starring Paul Rudd, Jason Segel and Rashida Jones. Previously announced panelists for the 2009 SXSW Film Conference & Festival include acclaimed writer/directors Todd Haynes and Richard Linklater in conversation together, longtime Stanley Kubrick producer Jan Harlan, as well as Col Needham, Vice President of IMDb.com Service Limited.  The complete festival lineup will be announced in early February.

posted on January 12, 2009
Films to Snag
Login to Leave a Comment
Stillman and Federbush at Spago
Stillman and Federbush at Spago
33 Photos | View Gallery (July 1, 2009)
“Sex Drugs Guns” In Philly
“Sex Drugs Guns” In Philly
171 Photos | View Gallery (June 30, 2009)
JR at Spago
JR at Spago
33 Photos | View Gallery (June 29, 2009)
“Humpday” In Scotland
“Humpday” In Scotland
21 Photos | View Gallery (June 29, 2009)
Summer Fest Winners
Celebrating the Best of Summer
What You Like
1
In trying not to sound too fatalist and just plain redundant, I remind all that filmmaking in America is not considered art, it’s not sponsored or funded by cultural institutions as …
2
Check out the post-screening discussion with the filmmaker here: Check it out here: http://www.youtube.com/watch?v=c6OX8E5rdKc&feature=PlayList&p=DB75680A8FA88246&index=4 The panel and Q&A includes Kirby Dick, Rodger McFarlane, Michelangelo Signorile and Larry Kramer.
3
To me, this is a case of too little, too late. In the past decade, discussions of “independent” films have always focussed on marketability, theatrical release, etc. That’s fine, but in …
4
Ohhhh nooo. Sorry for my harshness last night, I just re-read what I wrote. But I just don’t understand how after watching that movie you got phony. I was completely touched.  …
5
The questions though—and it comes down to simple numbers—are (1) how much were the seemingly unmarketable films at Cannes bought for in terms of North American release, (2) how were they …
Updated 2:12 PM ET
Introducing SnagFilmsFAST our new "Festival-Approved Submissions Tool" making it easier for filmmakers to submit films for expedited review & distribution by SnagFilms.

For any film selected by one of over 100 top film festivals from around the world, SnagFilms will fast-track its distribution. As allies of leading festivals, SnagFilms respects their curatorial excellence. Go straight from festival to SnagFilms with SnagFilmsFAST!

Learn more at
http://www.snagfilms.com/films/submissions