“Outrage” Review Spiked for Naming Names
Kirby Dick’s new documentary, “Outrage,” continued to skirt controversy and stir debate in its opening weekend in U.S. theaters, particularly among some media circles. As the film opened, NPR trimmed its review of the film, cutting mentions of the American political figures depicted in the movie. Critic Nathan Lee subsequently removed his byline from the article in protest and lodged a comment on the NPR site, which was also quickly removed by NPR executives. This came amidst a simmering debate about Dick’s decision to pursue and name politicians believed to be closeted homosexuals in the film, specifically those whose public voting record counters the civil rights of gay and lesbian Americans. And it seems to support charges by Dick, made in the film, that the mainstream media has a history of handling stories of politicians same-sex orientations with kid gloves. Citing a policy of protecting the privacy of public figures, an NPR superior cut the names of current Florida governor Charlie Crist and former Senator Larry Craig from the review after writer Nathan Lee and his assigning editor at NPR had agreed on the text of the piece. However, a photo of Larry Craig accompanies the review and says that the former Senator is a subject of the documentary. It also hints strongly at the inclusion of Crist in the doc.
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Check out the post-screening discussion with the filmmaker here:
Check it out here: http://www.youtube.com/watch?v=c6OX8E5rdKc&feature=PlayList&p=DB75680A8FA88246&index=4
The panel and Q&A includes Kirby Dick, Rodger McFarlane, Michelangelo Signorile and Larry Kramer.
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Looking forward to seeing Outrage. Now NPR is being just as hypocritical as some of these politicians. hmmm.
This Outrage interview with Mike Rogers and Doug McKelway, the double standard of media coverage is brought up by Rogers.
http://news.aol.com/article/angry-anchor/478089
NPR is a lot like the NY Times in this way: they are good for news but on anything cultural/arts/trend-related they just can’t get it right. There is always something off. Usually it is an innocuous matter of bad taste or no taste but this is a big, clumsy misstep. My guess is that it originates in their legal department because - if my understanding is correct - in many states it is still possible to sue someone for defamation if they call you gay. (Some states have wised up and done away with that on the theory that it is no longer inherently shameful to be called gay; others haven’t).
Come on, indieWIRE… you’re becoming a major source for news in the film world. A little fact-checking first wouldn’t hurt….
I feel obligated to correct a detail of this situation that has been widely misreported or misconstrued. I did not find out about the changes *after* NPR published the article. After my editor and myself had agreed on a final edit Thursday evening, NPR withheld the article from publication (without notifying me) on Friday while the matter was being debated. This timeline was related to indiewire - I was specific in my email to them that it had not been published until late Friday evening - but is imprecisely worded in their report and has been muddled as the story has been picked up on blogs.
On contacting my editor late Friday to inquire about the status of the review, I was told, after a very long discussion, that NPR categorically refused to print the relevant names as a matter of policy. (A policy since revealed to be selectively applied and subject to a double standard.) It was at this point that I insisted I would not sign my name to the review - which had been considerably re-written and censored - and that if it were published I would like a disclaimer amended to explain why. In addition to protesting NPR policy, my intention was that such a review would alert readers to an example of the same media complicity and double-standard addressed in the film. Unfortunately, the reason for the missing byline was misconstrued by readers, so I posted a comment to the site explaining the circumstances. This comment was removed at the insistence of an NPR editor. Both the re-writing/redacting of the review and removal of the comment were protested by my in the strongest possible terms.
-Nathan Lee
Generally, I respect NPR, but they really, really got it wrong this time.
I’m really looking forward to reviewing this film.