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September 6, 2005 9:45 AM
| by Indiewire
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CANNES: Jeff Nichols Talks 'Mud' -
Is Adult Swim Stuck in a Rut? -
The Top 5 Contenders for the Palme d'Or -
CANNES REVIEW: 'Cosmopolis' -
Movie Lovers We Love: Dirty Looks
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Palme d'Or Winners and the Box Office -
Cannes Director's Fortnight Honorees -
David Bordwell on the Digital Transition -
Lohan's Liz Taylor Has Found Her Burton -
Cannes' Critics' Week Winners
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Philip Kaufman on 'Hemingway & Gellhorn' -
Sundance Selects Takes Loach's 'Share' -
Cannes Short Films Winners -
Sony Pictures Has 'Revenge' -
CANNES REVIEW: 'The Paperboy'
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FUTURES: 'Intouchables' Star Omar Sy -
Cannes 2012: A Guide To All The Films -
CANNES REVIEW: 'Sightseers' -
The Joy of 'Revenge' -
CANNES REVIEW: 'Post Tenebrus Lux'
Palestinian Film Looks at Suicide Bombers
As a Palestinian director, Hany Abu-Assad fully recognized he was stepping into a political minefield. By making a feature film about two young Palestinians who volunteer to become suicide bombers, he risked being accused either of glorifying terrorism or of betraying resistance to the Israeli occupation. The solution he found was to tell the story of "Paradise Now" as realistically as possible, but from a human point of view. Alan Riding profiles the director and "Paradise Now" in the New York Times (free subscription required to view entire article).
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