REVIEW | Dull Flame: Shamim Sarif’s “I Can’t Think Straight”
by Chris Wisniewski (November 18, 2008)
A scene from Shamim Sarif's "I Can't Think Straight." Image courtesy of Regent Releasing.
You would think that a cross-cultural, cross-religious lesbian romance should have enough built-in conflict to sustain an 80-minute feature, but Shamim Sarif‘s “I Can’t Think Straight” slumps and stretches its way from its first uninspired set piece, an engagement party for Jordanian-Christian Tala (Lisa Ray), to its mildly embarrassing closing montage, cut to, natch, Jill Sobule‘s “I Kissed a Girl” (hello, 1995!). As with her other feature, “The World Unseen” (released to theaters earlier this month), Sarif adapts and directs her own novel here, with Ray and Sheetal Sheth playing the lead roles. For “I Can’t Think Straight,” she enlists the help of co-writer Kelly Moss, but to no avail: Sarif has crafted a movie with such paper-thin characterizations and so lacking in dramatic incident that it’s frankly surprising that she was working from a novel at all—much less one she wrote herself. As the movie opens, Tala finds herself betrothed for the fourth time, after having broken three previous engagements on or near the scheduled wedding days. Her wealthy Christian parents throw her an elaborate engagement party, after which she leaves Jordan for London, where she meets Leyla (Sheth), the guarded Indian-Muslim girlfriend of her friend Ali (Rez Kempton). During their first encounter, Tala immediately shakes up Leyla’s world with some banal provocations about religion. The next day, after a breathy, strenuous tennis match, it’s clear the two have kindled a romance—though they remain ostensibly oblivious to their nascent feelings. Tala reads some of Leyla’s prose and pronounces her a Major Talent; Leyla begs her parents to let her spend a weekend with Tala at Oxford. At this point, Leyla’s spunky sister registers Leyla’s excitement, notices her k.d. lang CDs (seriously), and puts two and two together. Yet Leyla refuses to acknowledge her sapphic desires until her Oxford weekend culminates in a sensual dance turned, in a flurry of rapid cuts and awkward close-ups, to soft kisses and heavy petting. After their Oxford encounter their roles reverse, with bashful Leyla staking a bold claim to Tala’s affection and her brash lover cracking under the pressure of social propriety. Tala insists on the impossibility of living as lesbians in their respective cultures, and indeed, both women are particularly burdened by unforgiving mothers who seem to embody those cultural constraints. Leyla’s clings to tradition, mostly in the form of food. When one of her daughters makes Ethiopian bread, she counters, “We have Indian bread right here,” while brandishing some naan. Tala’s mother, meanwhile, is essentially the villain. As the movie opens, she snaps at one of her servants, “If I want your opinion, I’ll give it to you!” After the Oxford weekend, she flies Tala’s fiance in to drive a wedge between her daughter and Leyla.
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AFI Fest
AFI Fest '09
Chipotle Mexican Grill to Award a Filmmaker $2000, April 4, 2010 during the ECOtainment Awards at the Writers Guild Theater in Beverly Hills.
THAT FILMMAKER COULD BE YOU! GOING GREEN FILM FESTIVAL'S motto: REthink. REplenish. REcommit. This is the only festival of its kind to focus exclusively on green filmmaking, from production to content! ALL GENRES ARE WELCOME! Prizes include: $2000 from Chipotle, Hybrid Bikes, Tree Planted in Your Name, Fuji Film, Movie Magic Suite Software, Showbiz Software, Super 8 Production Facilities and much more! Hurry and beat the NOVEMBER 30th deadline! www.GoingGreenFilmFestival.com |