Russian “Wolfy” Conquering Karlovy Vary Pack
by Peter Knegt (July 9, 2009)
A scene from Vassily Sigarev's "Wolfy." Image courtesy of the Karlovy Vary International Film Festival.
Vassily Sigarev’s “Wolfy” wasn’t even supposed to screen in Karlovy Vary. At the very last minute, after the festival’s materials had been printed and the program was ready to go, the festival received a call from the film’s producers saying they wanted “Wolfy” in competition. The festival happily obliged, and now - as the festival nears its final days - “Wolfy” seems like a strong contender for the festival’s top prize, the Crystal Globe. A haunting tale of child abuse set within a bleak representation of contemporary Russia, “Wolfy” follows a subject matter present throughout much of Karlovy Vary’s main competition. Frederic Dumont’s Belgian-Canadian co-production “Angel at Sea” details the horrifying relationship between a suicidal father and his 12-year old son, while Martin Pieter’s Danish “Applause” stars Paprika Steen as a recovering alcoholic attempting to reunite with her young children after years of abusing them. While both admirable efforts, neither of those films observe their themes with the complexity and ingenuity that Sigarev’s does. “Wolfy” follows the relationship between a young girl (played by newcomer Polina PlutĨek - chosen from 5,000 girls during a casting call), and her vicious, sociopathic mother (played by Sigarev’s wife Yana Troyanova). The girl is essentially left on her own for most of her childhood (save for bare minimum parenting care of her dour grandmother and her invalid aunt) as her mother comes and in out her life through cycles of alcohol-fueled violence and intense verbal abuse.
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