"It was really important for me to have Toronto play a central character in the film and to really feel the texture of the city in the summer," she said. "I wanted to show Toronto through the romantic goggles I see it. I feel there's a lot about Toronto in the film that is real and is what I love about the city... and a lot of it is a little bit of a fairy tale about Toronto."
Polley certainly doesn't hold back in showcasing this love, fairy tale or real. There's a trip to Toronto's Royal Cinema, coffee in Kensington Market, a glimpse of the CN Tower... At one point, Margot and Lou are watching Canadian TV news coverage of the the minor earthquake that hit Ottawa a year or so back. Margot even constantly carries around a Pages Bookstore tote (the iconic Toronto bookstore that went under last year), and her and Daniel share poutine during an afternoon in Toronto's The Beach neighbourhood.
"It does have Canadianisms and Toronto stuff in it but at the same time what I think is funny is that I didn't intentionally slather it with Canadian references," Polley laughed. "I just feel like we're so used to seeing Toronto disguised that as soon as someone doesn't disguise it seems like it's incredibly self-conscious. I feel like I wasn't incredibly self-conscious about making it overly Canadian. I think I just didn't try to avoid it being Canadian."
Polley is currently spending most of her time in Canada focusing on her latest project: Motherhood. Her daughter was born earlier this year, and recent press for "Waltz" has been the first time she's been, uh, away from her.
"Right now I'm not juggling anything," she said. "I'm just staying at home with my baby. So it's quite easy. This is the only time I've had away from her since she's been born. But generally, I'm not a workaholic. I feel like I do kind of one thing at a time and I do them kind of slowly. I don't do a lot of juggling. I feel I'm interested in a lot of different things but I tend to do them all kind of separately and in their own space."
But Polley has optioned Margaret Atwood's novel "Alias Grace," and confirmed she had begun working on the screenplay before giving birth.
"When I return to work that'll be what I do first," Polley said.
We can't wait. In the meantime, "Take This Waltz" opens in theaters this Friday.