CANNES: Lee Daniels Talks 'The Paperboy'
CANNES REVIEW: 'On the Road'
Halfway Through: The Mixed Bag of Cannes
CANNES Q&A: Jennifer Lynch
CANNES REVIEW: 'Holy Motors'
CANNES: IFC Takes 'Sightseers'
VIDEO: Bernal Talks 'No' at Cannes
CANNES REVIEW: Kiarostami's Latest
CANNES: A 1st Look at 'The Master'
CANNES: Andrew Dominik Talks 'Killing'
June 22, 2007 9:13 AM
| by Indiewire
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CANNES: Jeff Nichols Talks 'Mud' -
Is Adult Swim Stuck in a Rut? -
The Top 5 Contenders for the Palme d'Or -
CANNES REVIEW: 'Cosmopolis' -
Movie Lovers We Love: Dirty Looks
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Palme d'Or Winners and the Box Office -
Cannes Director's Fortnight Honorees -
David Bordwell on the Digital Transition -
Lohan's Liz Taylor Has Found Her Burton -
Cannes' Critics' Week Winners
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Philip Kaufman on 'Hemingway & Gellhorn' -
Sundance Selects Takes Loach's 'Share' -
Cannes Short Films Winners -
Sony Pictures Has 'Revenge' -
CANNES REVIEW: 'The Paperboy'
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FUTURES: 'Intouchables' Star Omar Sy -
Cannes 2012: A Guide To All The Films -
CANNES REVIEW: 'Sightseers' -
The Joy of 'Revenge' -
CANNES REVIEW: 'Post Tenebrus Lux'
SFC: Frameline31
As Frameline31 irrefutably proves, it's a gay world after all, not to mention lesbian, bisexual and transgender. From a documentary about a twin boy who wants to be a girl to a film about a lesbian couple whose relationship is turned upside down by a teenage stowaway, to African American men living proudly on the down low, the LGBT film festival offers enough variety to spin heads, not to mention attitudes. David Wiegand reports.
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