Shorts Column | Matthew Modine on Fifteen Years of Making Short Films
by Kim Adelman (June 2, 2008)
A scene from Matthew Modine's "I Think I Thought." Image courtesy of the filmmaker.
Two weeks after Matthew Modine‘s most recent short film, “I Think I Thought,” made its North American premiere at the 2008 Tribeca Film Festival, the actor/writer/director spoke to indieWIRE about his decade-and-half-long career making shorts. Having embarked on his first short film endeavor while acting in Robert Altman‘s “Short Cuts,” Modine continues to make shorts that not only speak to ideas he’s passionate about but also are extremely entertaining. With “I Think I Thought” being released on iTunes later this month, “To Kill an American” on Metacafe, and “Cowboy” set to play CineVegas next month, Modine’s career as a short filmmaker is taking center stage. Here, in his own words, Matthew Modine reveals what inspires him to pick up a camera and make short films. On his current film and his first one “I Think I Thought” (2007) is an experimental film. My friend and producing partner, Adam McClelland, and I decided we would experiment with HD filmmaking. I wrote a short piece that is a reflection of this period of time we’re living in, and the unattractive nature of thinking. Thinking doesn’t seem to be something we’re doing a lot of. It’s a difficult thing for me to define, but I think I captured irony in the film. What we wanted to do was try to see how few elements we could make a film with. We were able to get into a hedge fund office on the Upper West Side, and we went in without disturbing them because the beauty of HD is you don’t need lights or cables or anything like that—it’s just a tripod, a camera, and a lavaliere microphone. And this is what brought me back to the very first film that I made, “When I Was a Boy” (1993), with a friend of mine named Todd Field. I was working on Robert Altman’s “Short Cuts,” and I had a rented a house at the beach. I had a friend of mine from acting school staying with me. We were talking about how film production was changing now that there were film stocks that didn’t require tremendous amounts of light and because 35 MM cameras had become so mobile. “I Think I Thought” was sort of the same circumstances as “When I Was a Boy,” the idea of “Let’s make a film today!”
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I’m sure his films are good. But TWO films at Sundance? The odds are incredible. So, either he’s quite lucky, or Sundance is full of star-f#$%ers.
Indeed! Short films are also a passion of mine. I always bristle when folks ask when I’ll “grow up” and get into features. Who wants to? Here’s a quote from a festival director friend of mine in Swaziland which I’d like to share with Mr. Modine and all the other short filmmakers out there: “A short film is to a feature film what a short story is to a novel
—a self-contained artistic unit with its own purpose and integrity. ‘Short’ refers to length, not value or impact.”
James Tjekisa Hall, Founder and Director of the Gold Lion Film Festival, Mbabane, Swaziland, Africa
Keep up the great work, Matthew!
Dawn Westlake
Ron de Cana Prods., Inc.
Los Angeles, CA
http://www.rondecana.com
http://www.dawnwestlake.com
Indeed! Short films are also a passion of mine. I always bristle when folks ask when I’ll “grow up” and get into features. Who wants to? Here’s a quote from a festival director friend of mine in Swaziland which I’d like to share with Mr. Modine and all the other short filmmakers out there: “A short film is to a feature film what a short story is to a novel
—a self-contained artistic unit with its own purpose and integrity. ‘Short’ refers to length, not value or impact.”
James Tjekisa Hall, Founder and Director of the Gold Lion Film Festival, Mbabane, Swaziland, Africa
Keep up the great work, Matthew!
Dawn Westlake
Ron de Cana Prods., Inc.
Los Angeles, CA
http://www.rondecana.com
http://www.dawnwestlake.com