Shorts Monthly: First Timers Dominate this Year’s Oscar Short Film Derby
by Kim Adelman (February 19, 2009)
A scene from Adam Foulkes and Alan Smith's "This Way Up." Image courtesy of Magnolia Pictures.
In the live action, animation and documentary short film categories of the 81st Annual Academy Awards, only one nominated director has a track record. Documentary filmmaker Steven Okazaki, who helmed “The Conscience of Nhem En,” already has two previous nominations and an Oscar on his curriculum vitae. The remaining twenty men and women hoping to take home a golden statue on February 22, 2009 are suiting up in their tuxes and donning their designer gowns to walk the red carpet at the Kodak Theatre for the very first time. No matter who gets to give a televised acceptance speech on Sunday, every single one of the filmmakers’ careers has been given a major boost just by having their work recognized by the Academy. The Academy of Motion Picture Arts and Sciences only selected four films to fill out the short documentary roster this year. Oscar veteran Steven Okazaki’s piece, “The Conscience of Nhem En,” is a half-hour doc about a man who, as a teenage soldier in 1975 when Cambodia was taken over by the Khmer Rouge, photographed thousands of soon-to-executed citizens. The Bay Area-based Okazaki was previously nominated for a 1985 feature on the topic of Japanese-American World War II internment, “Unfinished Business,” and more recently for his 2005 Hiroshima-survivors short, “The Mushroom Club.” He won the Oscar for his 1990 short doc “Days of Waiting,” a piece about a Caucasian artist interned with her Japanese American spouse. NYU-alumna Irene Taylor Brodsky and Tom Grant are nominated for “The Final Inch,” a 38-minute documentary about the historic global effort to eradicate polio. Rounding out the short doc category are Megan Mylan for “Smile Pinki,” which focuses on an Indian girl with a cleft lip, and Adam Pertofsky and Margaret Hyde for “The Witness - From the Balcony of Room 306,” which profiles the Reverend Samuel “Billy” Kyles, who was present at Martin Luther King Junior’s assassination. . In the animation category, the slickest piece is a five-minute classic cartoon showdown between an over-confident magician and a wily white rabbit. Entitled “Presto,” the five-minute Pixar piece helmed by Cal Arts-trained Doug Sweetland is a sure-fire audience pleaser. In fact, “Presto” played before “Wall-E” in theaters.
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