Some New Faces and A Handful of World Premieres as Florida Unveils American Independent Competition, and Announces Opening Night Film
by indieWIRE (May 15, 1998)
by Eugene Hernandez Twenty independent films are screening in the American Independent Film Competition at the 1998 Florida Film Festival, running June 12 - 21, 1998 in Orlando, Florida. The Central Florida event, which has emerged as a leading regional film festival, will open with a screening of Richard Bieman's "A Merry War", adaptation of George Orwell's "Keep the Aspidistra Flying". The films stars Helena Bonham Carter and Richard E. Grant. The 1998 festival approaches with a few new faces in place at the Enzian organization, the not-for-profit group that produces the festival. Near the end of last year's fest, Executive Director Sigrid Tiedtke announced that she would step down and introduced attendees to her replacement, Melanie Gasper. Tiedtke remained involved as a member of the programming committee this year. Another departing organizer was media and marketing head Mike Monello, who also remained involved as a programmer. Monello's replacement Rich Grula offered that his focus has been to cultivate greater festival awareness among the local community, building on the success of the festival's homebase Enzian Theater -- a popular dinner theater/art house in adjacent Maitland. Grula told indieWIRE that the festival sold 15,000 tickets last year, and with more screenings this year, expectations are that sales will exceed that number. Program Director Matthew Curtis said that he received over 500 submissions, a 25% jump over last year. Commenting on the 1998 program, Curtis highlighted the three premieres in the dramatic competition, and also noted the strength of the documentary competition. While last year was recognized as a strong year for non-fiction features at the Florida Fest, thanks to screenings of the fest award-winning "Hands On A Hardbody" and the Oscar nominated "Waco: the Rules of Engagement, Curtis said, "The docs last year were phenomenally strong," noting, "this year comes close." Curtis, a former sales director for Corinth Films proclaimed, "We could have easily doubled the doc section...there were a lot of really fine docs that we did not have the room for."
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