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Specialty Box Office: Searchlight Has 'Belle' of the Box Office Ball; Focus Has a 'Walk of Shame,' Indeed

Photo of Peter Knegt By Peter Knegt | Indiewire May 4, 2014 at 12:54PM

Here's a rundown of the specialty box office this first weekend of May. It's a new format for Indiewire's weekly box office column -- with debuts and holdovers both ranked separately in order of per-theater-average. This isn't always necessarily the best variable for ranking (though no one thing is with limited releases), but we'll try and explain whenever something did better or worse than its ranking suggests in the "winner" and "loser" of the weekend designations at the bottom of each chart. Happy Sundays!
1
Locke Tom Hardy

The Holdovers:

Holdover Winner of the Weekend: All of these films can probably give distributors a reason to celebrate in one way or another, but arguably the biggest winner this time around is "Fading Gigolo," which had a very successful expansion to 100+ theaters, jumping 69% and holding onto an average north of $4,600. The John Turturro-directed film (with a rare acting appearance by Woody Allen in a non-Woody Allen directed film) is already the third highest grossing film in the three year history of Millennium Entertainment.

Holdover Loser of the Weekend:  We'll refrain of officially designating any of these films a "loser," though the second weekend grosses of "Blue Ruin" -- notably a big hit on VOD -- aren't worthy of "winner" status either.

Notable Milestones:

  • "The Grand Budapest Hotel" hit $50 million and is $1 million away from becoming Wes Anderson's highest grossing film ever.
  • "The Lunchbox" became the first foreign language release of 2014 to hit $3 million.
  • "Fading Gigolo" hit $1 million, as noted its one of only 4 Millennium Entertainment films to do so.
  • Outside the top 10, "Le Week-End" crossed the $2 million mark and "Enemy" hit $1 million.

The Holdover Top 10:

1. Locke (A24)
Week: 2
Weekend Gross: $140,000
Theaters: 25 (up from 4)
Per-Theater-Average: $5,600
Total Gross: $253,000

2. Fading Gigolo (Millennium Entertainment)
Week: 3
Weekend Gross: $507,637
Theaters: 110 (up from 37)
Per-Theater-Average: $4,615
Total Gross: $1,149,712

"Only Lovers Left Alive"
"Only Lovers Left Alive"

3. Only Lovers Left Alive (Sony Pictures Classics)
Week: 4
Weekend Gross: $243,000
Theaters: 67 (up from 53)
Per-Theater-Average: $3,627
Total Gross: $836,000

4. The Railway Man (The Weinstein Company)
Week: 4
Weekend Gross: $508,000
Theaters: 164 (up from 156)
Per-Theater-Average: $3,098
Total Gross: $1,635,000

5. The Grand Budapest Hotel (Fox Searchlight)
Week: 9
Weekend Gross: $1,735,000
Theaters: 884 (down from 1,021)
Per-Theater-Average: $1,963
Total Gross: $51,606,000

6. The Lunchbox (Sony Pictures Classics)
Week: 10
Weekend Gross: $282,000
Theaters: 149 (down from 165)
Per-Theater-Average: $1,893
Total Gross: $3,101,000

7. Finding Vivian Maier (Sundance Selects)
Week: 6
Weekend Gross: $144,000
Theaters: 80 (up from 60)
Per-Theater-Average: $1,800
Total Gross: $915,000

8. Under The Skin (A24)
Week: 5
Weekend Gross: $173,000
Theaters: 125 (down from 158)
Per-Theater-Average: $1,384
Total Gross: $1,844,000

9. Blue Ruin (RADiUS-TWC)
Week: 2
Weekend Gross: $73,300
Theaters: 60 (up from 7)
Per-Theater-Average: $1,222
Total Gross: $121,200

10. On My Way (Cohen Media Group)
Week: 8
Weekend Gross: $$10,100
Theaters: 9 (up from 5)
Per-Theater-Average: $1,122
Total Gross: $295,100

Peter Knegt is a regular contributor to Indiewire and their box office columnist. Follow him on Twitter.


This article is related to: Box Office, News, The Grand Budapest Hotel, Under the Skin, Only Lovers Left Alive , The Railway Man, Fading Gigolo, Locke, Belle, Ida







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