The Sundance Institute today revealed the members making up this year's jury of the Sundance Film Festival. The awards for the 2014 edition of the event will be handed out on Jan. 25 in Park City at an awards ceremony hosted by husband-and-wife duo Nick Offerman and Megan Mullally. Full jury list below, with bios courtesy of Sundance. Sundance 2014 runs Jan. 16-26.
U.S. DOCUMENTARY JURY
Tracy Chapman is a Grammy Award–winning singer/songwriter and international recording artist. She has made eight studio albums since her multiplatinum debut in 1988, including Tracy Chapman, Crossroads, Matters of the Heart, New Beginning, Telling Stories, Let it Rain, Where You Live, and Our Bright Future. In 2008, Chapman made her theatre debut composing the music for a new production of Athol Fugard's classic 1961 play Blood Knot, which opened at San Francisco's American Conservatory Theatre. She has toured extensively in the last 25 years in the United States and abroad and has appeared frequently to support social and humanitarian causes, including for the Amnesty International Human Rights Now! tour, the Nelson Mandela 70th Birthday Tribute, and concerts for Tibetan Freedom, Farm Aid, the Special Olympics, and amfAR.
Charlotte Cooke is the director of programming at Hot Docs, North America’s largest documentary festival. She was previously head of film programming and training at the Frontline Club in London, an organization dedicated to championing independent journalism and freedom of expression. Cook has worked with the BBC’s Storyville, the Channel 4 BritDoc Foundation’s Puma Catalyst Awards, and the Edinburgh International Film Festival, where she curated the Conflict|Reportage program. She has also written extensively for a number of different publications and was the main photographic researcher for the launch of London’s The Times online archive project. In addition to her programming activities, Cook advises organizations on media literacy, specializes in investigative journalism on international conflict, and has an academic background in the role technology plays for the media.
Cooperman is the producer of The Daily Show with Jon Stewart. She
has been with the show since its inception in 1996, moving from field
producer to senior producer, supervising producer and then coexecutive
producer from 2005 to 2013. For her work, she has received ten Primetime
Emmy Awards and two Peabodys. Cooperman began her career in documentaries
at Maysles Films in New York City. She has produced and directed several
documentaries, including the short Cool Water, which premiered at
the 1991 Sundance Film Festival, and Making Dazed about Richard
Linklater’s Dazed and Confused, which was acquired by the
Criterion Collection. Kahane also produced the feature doc Heidi
Fleiss: Hollywood Madam, directed by Nick Broomfield. Currently,
Cooperman is producing two independent docs, Going Pro and Judee Sill and
is on the advisory board of the Montclair Film Festival. She holds an MFA
in film from Columbia University.
is an award-winning filmmaker who has spent 20 years working as a cultural
documentarian. Neville has been nominated for three Grammys for his music
films: Respect Yourself: The Stax Records Story, Muddy Waters
Can't Be Satisfied, and Johnny Cash’s America. His
other films include Hank Williams: Honky Tonk Blues, The Cool
School, and Troubadours, which screened at the 2011 Sundance
Film Festival. Through his company, Tremolo Productions, Neville has also
produced films such as The Rolling Stones’ Crossfire
Hurricane, Pearl Jam Twenty, The Night James Brown Saved
Boston, and Beauty Is Embarrassing. His most recent film is
20 Feet from Stardom, which premiered on Day One of the 2013
Sundance Film Festival and went on to become the top-grossing documentary
of the year.
Oppenheim is a documentary film editor whose credits include the
now-classic Paris Is Burning, cowinner of the 1991 Sundance Documentary
Grand Jury Prize, an IDA Award, and awards from the New York and Los
Angeles film critics. Other credits include Sister Helen, which
won the Documentary Directing Award at the 2002 Sundance Film Festival;
Arguing the World, which earned a Peabody Award; and Children
Underground, which was nominated for an Academy Award. Oppenheim
edited and coproduced The Oath, the second film in Laura
Poitras’s post-9/11 trilogy, a winner of multiple awards, including a
Gotham. Most recently, he was editor/coproducer of Andre Gregory:
Before and After Dinner, and coeditor of William and the
Windmill, winner of the 2013 Grand Jury Prize at SXSW. He has
participated as both advisor and fellow at the Sundance Institute
Documentary Edit and Story Lab.
U.S. DRAMATIC JURY
is best known for his annual Leonard Maltin’s Movie Guide
and his 30-year run on television’s Entertainment
Tonight. He teaches at USC’s School of Cinematic Arts and
appears on Reelz Channel. Maltin’s books include The 151 Best
Movies You’ve Never Seen, Of Mice and Magic: A History of
American Animated Cartoons, The Disney Films, and The Art
of the Cinematographer. He has served as president of the Los Angeles
Film Critics Association, votes on selections for the National Film
Registry, and sits on the Board of Directors of the National Film
Preservation Foundation. He also hosted and coproduced the popular Walt
Disney Treasures DVD series. Maltin has received awards from the
American Society of Cinematographers, the Telluride Film Festival, the
Anthology Film Archives, and San Diego’s Comic-Con International. He
holds court at leonardmaltin.com and on his self-named YouTube channel.
producing credits include The Kings of Summer, Safety Not Guaranteed,
Our Idiot Brother, Jack Goes Boating, Sunshine Cleaning, Away We Go, Is
Anybody There?, Little Miss Sunshine, Everything Is Illuminated, The Truth
About Charlie, Adaptation, Ulee's Gold, and the feature documentaries
Mandela and The Agronomist. He recently completed work on Gods
Behaving Badly and is in postproduction on Me Him Her. Saraf
has been nominated for Academy Awards and Golden Globe Awards and has won
multiple other honors, including Independent Spirit, Gotham, and Producers
Guild of America awards. He is the cofounder of Big Beach, a New
York–based independent film-production and financing company. Saraf
is also the current chair of the Producers Guild of America East.
Lone Scherfig began her career directing award-winning commercials and television dramas in her native Denmark. Her first feature as director, The Birthday Trip, premiered at the 1991 Berlin International Film Festival, and her second feature, On Our Own, won the Grand Prize at the Montreal World Film Festival. Scherfig wrote and directed Denmark’s fifth Dogme film, Italian for Beginners, which won the Silver Bear, the FIPRESCI Prize, and the Prize of the Ecumenical Jury at the 2001 Berlin International Film Festival. Her first English-language film, Wilbur Wants to Kill Himself, which she cowrote with Anders Thomas Jensen, received four British Independent Film Award nominations. Scherfig directed An Education, which won the World Cinema Audience Award at the 2009 Sundance Film Festival and received Academy Award nominations for best picture, best adapted screenplay, and best actress. She is currently in postproduction on Posh.
Bryan Singer is an American filmmaker, writer, and producer who has been a tour de force for nearly 20 years. Singer’s first feature film, Public Access, was cowinner of the Dramatic Grand Jury Prize at the 1993 Sundance Film Festival. Since then he's assembled an award-winning and critically acclaimed resume with the 1995 crime-thriller classic, The Usual Suspects, which won Academy Awards for best original screenplay and best supporting actor, as well as the seminal comic-book films X-Men (2000) and X2 (2003). Singer executive-produced the Emmy Award-winning series House, as well as producing the 2011 hit X-Men: First Class. Currently, he is back at the helm of the franchise that he helped create, both directing and producing X-Men: Days of Future Past. Coming back to the Sundance Film Festival marks a return to his filmmaking roots at the festival that gave him his first major break.
Dana Stevens is the film critic at Slate.com. She is also cohost of the Slate Culture Gabfest podcast and the host of another podcast, the Slate Spoiler Special. Stevens is one of 12 contributors to the weekly “Bookends” column on the back page of the New York Times Book Review. A native of San Antonio, Texas, Stevens studied comparative literature at the University of California at Berkeley and got started writing about film in 2002 with a personal movie blog, “The High Sign.” She now feels very lucky to live in Brooklyn with a man, a child, and a dog, and to get to write and talk about movies, books, and culture for a living.