CANNES: Lee Daniels Talks 'The Paperboy'
CANNES REVIEW: 'On the Road'
Halfway Through: The Mixed Bag of Cannes
CANNES Q&A: Jennifer Lynch
CANNES REVIEW: 'Holy Motors'
CANNES: IFC Takes 'Sightseers'
VIDEO: Bernal Talks 'No' at Cannes
CANNES REVIEW: Kiarostami's Latest
CANNES: A 1st Look at 'The Master'
CANNES: Andrew Dominik Talks 'Killing'
March 21, 2009 4:00 AM
| by Eric Kohn
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CANNES: Jeff Nichols Talks 'Mud' -
Is Adult Swim Stuck in a Rut? -
The Top 5 Contenders for the Palme d'Or -
CANNES REVIEW: 'Cosmopolis' -
Movie Lovers We Love: Dirty Looks
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Palme d'Or Winners and the Box Office -
Cannes Director's Fortnight Honorees -
David Bordwell on the Digital Transition -
Lohan's Liz Taylor Has Found Her Burton -
Cannes' Critics' Week Winners
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Philip Kaufman on 'Hemingway & Gellhorn' -
Sundance Selects Takes Loach's 'Share' -
Cannes Short Films Winners -
Sony Pictures Has 'Revenge' -
CANNES REVIEW: 'The Paperboy'
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FUTURES: 'Intouchables' Star Omar Sy -
Cannes 2012: A Guide To All The Films -
CANNES REVIEW: 'Sightseers' -
The Joy of 'Revenge' -
CANNES REVIEW: 'Post Tenebrus Lux'
SXSW '09: 14 Snapshot Reviews
A scene from Joe Swanberg's "Alexander The Last." Image courtesy of SXSW.
Editor's Note: The following are links to snapshot reviews from film critic Eric Kohn, offering a first look at the films screening at the 2009 SXSW Festival.
SXSW Snapshot: Joe Swanberg’s “Alexander The Last”
SXSW Snapshot: Michael Paul Stephenson’s “Best Worst Movie”
SXSW Snapshot: What Zombies? Bruce McDonald’s “Pontypool”
SXSW Snapshot: Craig Johnson’s “True Adolescents”
SXSW Snapshot: Gary Hustwit’s “Objectified”
SXSW Snapshot: Daryl Wein’s “Breaking Upwards”
SXSW Snapshot: Sam Raimi’s “Drag Me To Hell”
SXSW Snapshot: Dia Sokol’s “Sorry, Thanks”
SXSW Snapshot: Kris Swanberg’s “It was great, but I was ready to come home”
SXSW Snapshot: Jody Hill's "Observe and Report"
SXSW Snapshot: Brett Gaylor’s “RiP: A Remix Manifesto”
SXSW Snapshot: Kristian Fraga’s “Severe Clear”
SXSW Snapshot: John Bryant’s “The Overbrook Brothers”
SXSW Snapshot: Ben Steinbauer’s “Winnebago Man”
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