Starring Hugh Dancy ("Martha Marcy May Marlene") as Will Graham, Mads Mikkelsen ("Casino Royale") as Hannibal Lecter and Laurence Fishburne as Jack Crawford, "Hannibal" is intelligent, stylish, complicated and extremely dark -- everything fans of Harris' famous serial killer have been waiting for. Indiewire recently sat down with Fuller to discuss reviving Dr. Hannibal Lecter, which characters fans won't be seen on the series, and a possible "Pushing Daises" zombie movie.
Did you go back to the book ("Red Dragon") to fill out the Will Graham character?
I watched "Manhunter" before I started writing the script and just wanted to re-familiarize myself with the story. I'd always liked the film, but it got eclipsed by "The Silence of the Lambs," so if I was feeling a little peckish for Hannibal Lecter, I would watch that again. As much as I liked William [Petersen]'s performance [as Will Graham in "Manhunter"], the fact that he went on to "CSI" and crafted another version of the character created a blank spot in my vision. So it was really all about going back to the book, and it was a treasure hunt for specificity with the character so I could find things that haven't been played and look for a new way in.
One of the first things that kicked up my imagination was the stuff with Molly [Will's wife] at the beginning of the book, where she's referencing how he's in a better place now and he's not obsessing so much about the dogs. The dogs are almost a defense mechanism for him so he can go to a place of purity with the dog soul and get out of the convoluted nature of mankind. I got the psychological landscape of a guy who escapes to animals to get away from the complexities of the human psyche.
It felt like that was an angle into the character that would also make him incredibly vulnerable to Hannibal Lecter. It wasn't a new angle. It just felt like it was a stain on the page that I was leeching out between the lines. I feel like this is almost a truer version of Will Graham to the literary source than what we've seen in the movies because you also, in a film, don't have the real estate to really develop the complexity.
We do. We absolutely have the time and, hopefully, not just this season but many seasons to explore how that works. Will goes through hell this season. The first five episodes don't even scratch the surface. The last five episodes are such a tumble into darkness that we pull the rug out from underneath the character, and the audience, in many ways.
It's hard to imagine how much darker he can go when he literally starts the series covered in blood.
Right! [laughs] And I have to tell you that Hugh Dancy... After meeting his parents and hearing them tell this story of how he enjoyed some sort of play-acting murder as a child, it was hard not to recall the day on set when he gets sprayed with blood. He was so giddy and school-boyish.
What led you to Hugh for the role of Will Graham?
He has an openness and accessibility as an actor and as a human being. I think, in a different actor's hands, Will Graham would be less sympathetic -- because he's kind of an asshole. This guy is in his own head and isn't socially adept. Will avoids eye contact, and it's safer for him to bond with an animal because he knows what his expectations are of that creature -- a human being is a much trickier monster. So we needed a doorway to get past potentially asinine behavior for somebody who is highly neurotic. They had to have an innate likeability even when they weren't being likeable -- and that's Hugh.
The way you present him in the show, he's kind of the everyman. Style-wise he feels like the everyman, but with all these tortured issues he has to deal with.
On one level, he is the everyman in terms of the fact that he's out on this farmhouse by himself with a bunch of dogs, but he's also the man alone with his isolation and purposeful removal of things that stress him out, which would be other people.
And he's clearly special.
Yes. Which is why Hannibal has the bromance with him and has the attraction to him, because he's knows this human being is special.
The first thing that threw me about Mads' performance as Lecter was his accent, only because I've seen "The Silence of the Lambs" so many times. But once you get past that initial shock, it's a master performance. I feel like when Mads walks off set, he doesn't skip a beat -- like he lives that life of expensive suits and fancy dinners and refinement.
[laughs] He couldn't be more different. It's funny because when I go to set, I'm always ogling his suits and lifting the jacket to see who makes it and he just has no interest. He doesn't care. Outside of the character, Mads is in tracksuits and stocking caps. He has no pretense about finer quality clothes. He's so not Hannibal in any way, shape or form. He's easy to smile or crack a joke or tease. He's like a really rambunctious brother as opposed to this very sober guy.
People know Hopkins, but Mads is so in tune with what is in the book.
Hannibal in the books is an Eastern European gentleman. He's not American. With Anthony Hopkins, his accent was very hard to pin down or pinpoint his origin, but for me, casting a foreign actor was the way to go because Hannibal is foreign. He is other. He's an exotic. That was something that Mads brought to the character, with this erudite quality of experience and worldliness. Hannibal has to be a grown man that demands respect, or it doesn't work.
You do a good job keeping the mystery intact during the early episodes. You could go into this show without knowledge of Lecter, Graham and Crawford, and you wouldn't have a clue about what Lecter will inevitably become.
I was always working under the assumption that everybody knew who Hannibal was and so I didn't have to play it and I didn't have to overplay it. What's so interesting about Mads is that, in our first meeting, he told me that he approaches the character less as the darker Hannibal Lecter in "The Silence of the Lambs," incarcerated with the mask, and more like Lucifer, the fallen angel who loves humanity and is in awe of humanity and appreciates the beauty of humanity and punishes those who don't in damning ways. He sends them to hell.