How'd you end up in the role of James on "Scandal"?
When "Scandal" was a pilot, I came in and read to play Huck, the part that Guillermo [Díaz] does so beautifully. I knew in my gut that I wasn't that guy. It was described in his past that he was homeless, and I'm clean cut. It was an amazing part -- even in the room it was a really fun scene to play -- but I wouldn't even cast me in this. Then they called to see if I would play the husband of the Chief of Staff, played by Jeff Perry -- who happens to be a friend of mine, so that was a little awkward but fantastic. I of course said yes. I think at the time they just didn't know what would happen. This is a show that's so dense, so rich and there's so many storylines going, they don't necessarily know every detail of where the character is going so far in advance.
The character development and the possibility of exploring a fairly modern marriage -- a new twist on a DC political marriage -- became more and more exciting for them. Luckily for me, I got to play some really juicy stuff, because they got excited to play to the fabric of that relationship within the show that's also about these other scandals, about the romance between Fitz [Tony Goldwyn] and Olivia [Kerry Washington]. And I'm thrilled because so much of my real personal life I get to draw on for this role.
I wanted to ask about that -- you wrote a book about adopting your children, is that an experience you brought to the role in terms of shaping it or is it more just an opportunity to bring part of your personal life to the character?
Like the character, you also work with your husband, in this case on "Web Therapy." How much or how little of that experience do you bring to this much muddier, complicated on screen relationship?
In terms of "Web Therapy" -- and Don and I have worked together on other things as well, I've produced films of his and he's produced films of mine -- we try to keep work out of the home as much as possible, because earlier in our relationship, before we had kids, it got very complicated and messy. It is definitely not easy, and there's something about that that's illustrated in the relationship between James and Cyrus as well in the way that you are married but your professional ambitions dictate something that will in fact impact your spouse.
One of the things that makes the dynamic between James and Cyrus so interesting is that Cyrus is a Republican -- and when the Vice President, who's much more conservative, briefly comes into power there's a real sense of how much of a conflict that could pose to the life Cyrus has made for himself.
One of my favorite lines is in one of the episodes when we're fighting over having a kid or not -- I scream out, "I can't believe I fell in love with a Republican!" I love that it's phrased that way -- it's not "I can't believe I married a Republican." It's as though his emotions and love for Cyrus overcame him and are somehow bigger than the politics. This is a show where you're constantly straddling that line. Are the ideas and concepts bigger than the value of a human life?
Cyrus is a gay man who probably came to be aware of that later in life than James did. The people who are out of the closet in their 50s and 60s have a very different relationship with that closet than people in their 30s and 40s. When you do flashback scenes they had just been together for a year, Fitz gets elected and I'm not invited to the Inaugural Ball. We have this screaming fight in the White House about me not going with him because he's just not ready to be at these political parties with his male spouse -- and it doesn't even get dealt with. It's just a fight that illustrates a greater problem that we're having, that he's a little more old school than I am. The differences in our politics and in the politics of even Fitz and the VP are things that would ultimately impact what we believe about ourselves and about each other.
Shonda Rhimes has a way of representing diversity in race and sexuality in such a matter of fact manner -- like how James is introduced.
I think she is actually one of the most innovative creators of television in the way that her characters don't come out of a closet in a very special episode. Her characters live in a world where there is no closet, and it's just that way. The door opens and Olivia Pope is like, "What? No hug, James?" The audience is meant to catch up with these characters who already accept each other and who live in a world where this is how it is. Where they talk about their marriage, about adopting a baby and it's not a point of political agenda. It's so subtle and yet it's kind of subversive.