By Alison Willmore | Indiewire May 2, 2012 at 4:06PM
"He was certainly the start of guys like [Dave] Garroway who dissected what television was," said Prince. "And I think right now Letterman does that -- 'What is television?' Ernie was one of the first to do that."
Greenfield recalled that the TV critic father of "Blazing Saddles" screenwriter Andrew Bergman was once invited on the show after writing favorable things about Kovacs. "He introduced him: 'Bergman has graciously consented to give us some pointers and he'll be giving your his objective opinion.' All throughout the show they cut to Bergman. He's tied up, they're lighting fires under his feet, he's at a typewriter being forced at gunpoint to write good things."
"I think it was a terrible mistake to move to Hollywood," said Prince. "He was a very good actor, but they didn't need that, plenty of other actors could have done that sort of thing. I thought when they moved to Hollywood, it was a big loss in creativity. [Ernie and Edie] liked the Hollywood life a lot, the company of the Billy Wilders and all those people. But it was much more important, what he was doing to the medium of television."
Noted Model, "There were people who likes what he did. He would be let go from one show and picked up somewhere else. There was clearly an interest. But no one ever knew what to do with him. When he finished the DuMont contract, he was signed to a huge deal with NBC, but it took them several months to come up with a show for him to do. They knew people were watching, they never knew why."
"He was essentially a one-man show," said Klein. "There weren't big staffs of writers. I think that basically people just liked him. There was no malice in his humor. A lot of times there was no audience. You're the audience -- that camera. It was a very television sensibility."
"The only time I can think of gorilla masks being used subtly," concluded Zweibel, "the Nairobi Trio is my single favorite. They are in gorilla masks, it's true, but when he's hit on the head, it takes him a while to turn, the thing has its own sensibility. It has its own time and rhythm. A guy like me who's been hustling for laughs for 47 years, I can't go as long as that."