By Peter Labuza | Indiewire April 10, 2012 at 10:30AM
Use Characters as Necessary
How often has “Dexter” forced us to view almost unforgivable subplots? Every season, characters like Quinn or LaGuerta run through the most strained narratives, which are perhaps included due to some contractual obligation. Meanwhile, as “Justified” has beefed up more interesting characters, it has dropped others. Raylan’s ex-wife has disappeared from the season and it’s unlikely she’ll remain a large part of the show.
In his recap of March 27th episode "Measures," Scott Tobias noted that the installment marked one of the few appearances of fellow cop Rachel (Erica Tazel), who's never given much of a role. I’m all for more of Tazel’s work in the show, but why give her a whole season-long arc? "Justified" has avoided such checklist style writing, and hopefully it will continue to.
Foreground Your Background
"Dexter” may take place in Miami, but it’s something the show often forgets. Sure, Dexter uses his boat to discard his victims, and the cops always talk about getting tacos, but otherwise, there’s no reason "Dexter" couldn’t take place in New York or Los Angeles. Week in and week out, “Justified” is set in eastern Kentucky, and constantly stays true to its “dirty south” vibe. Yost has made this a sticking point of the series (despite Elmore Leonard’s frustration over Raylan's hat, which he feels is "too Western" and worn by the characters too often). It’s not just the drug culture, but also the accents, the quality and style of the criminals, and the cracking dialogue that has kept the atmosphere one of the show’s biggest pleasures.
One of the clear standout episodes of this season of “Justified” was February 14th's “Thick as Mud.” Instead of focusing on any of the major characters, the main plotline followed Dewey Crowe as he raced around town robbing stores in order to pay a criminal to return his kidneys. It was bizarre, exciting, and also filmed in a very different style from the rest of the series. “Justified” took a complete chance on dedicating an episode to a minor character, which shook up the usual procedure of the show, and it was a total blast.
“Dexter” needs to go crazy, not just for one episode, but to revamp what we come to expect out the series. “Dexter” too often plays it safe, sticking to what has brought the series a large audience for six seasons. Last season’s finale finally seemed ready to signal a shift with Deb discovering Dexter murdering someone. Let’s hope that’s the beginning of something very different.