Reviewing the show, which returns for a second season on Sunday, Neil Genzlinger suggests that it has issues to fix if it's going to "expand its fan base beyond Dungeons & Dragons types":
Thinking of jumping into the new season without having seen the first? Don’t even try; your brain doesn’t have that many neurons. Some people love this kind of stuff, of course, and presumably those addicted to the George R. R. Martin books on which the series is based will immerse themselves in Season 2, just as they did in Season 1. Will anyone else? You have to have a fair amount of free time on your hands to stick with “Game of Thrones,” and a fairly low reward threshold. If decapitations and regular helpings of bare breasts and buttocks are all you require of your television, step right up.
Ah yes, those people will all that free time on their hands. It's a strange slight given that large casts, complex storylines and dense plotting are also qualities to be found in unassailable critic-favorites like "The Wire" -- disposability and ease of entry for new viewers are usually signs of lesser, more formulaic television.
The snide undertone of the article echoes Ginia Bellafante's even more problematic review in the paper from the year before, in which she sighed that executive producer David Benioff's "excellent script for Spike Lee’s post-9/11 meditation, '25th Hour,' did not suggest a writer with Middle Earth proclivities."
Genzlinger and Bellafante are of course free to dislike the series all they want, and both raise valid points in their articles -- about the unwieldiness of keeping straight and doing justice to so many storylines, the overreliance on sex and gore to spice up the doleful dramatics, or the ways in which it can be difficult finding characters to latch onto after the show offed its most obvious, morally relatable protagonist. But both pieces have an underlying condescension to them that suggests the brushing off of a genre as well as the specific show. That's neither deserved nor fair in an evaluation -- if swords and sorcery strike you as inherently ridiculous, how can you approach this show with anything other than a judgement already in place? It's an attitude that feels as outdated as those double D&D references.
6 Comments
Robert B. Marks | March 31, 2012 5:50 PM
I hate to say it, but I think you're overreacting to the New York Times review. My own comments are up at: http://garwulf.livejournal.com/80671.html
katy | March 30, 2012 11:32 AM
I met the man of my dreasms on the place mentioned in my pic ==--TallLoving.c'0m---it gives you a chance to make your life better and open opportunities for you to meet the attractive young man and treat you AS a queen!
Ryan | March 29, 2012 9:47 PM
I'll give Genzlinger this; at least he seems to have actually watched some of the show, unlike Bellafonte's utterly nonsensical and ad hominem article last year. But the whiff of thinking he's better than anyone who likes any kind of fantasy still comes through loud and clear.
Emily | March 29, 2012 8:45 PM
I love the book series and I love the TV series. I've made peace with the fact that the tv show will have to take certain liberties because there is limited time, but I think HBO has done an amazing job. The NYT article is ridiculous - a huge portion of the fans watching are not readers of the books, but just people who like to watch entertaining TV. Not just Dungeons and Dragons fanboys.
Poop | March 29, 2012 6:45 PM
I barely know what Dungeons and Dragons is, but I love Game of Thrones.
Joel W. | March 29, 2012 6:27 PM
Right with you on the tone. Both reviews cited couch their critique in parental-sounding finger wagging: Why aren't you more interested in girls *without* pointy ears or species that actually exist? But, as a (socially) recovering member of the D&D set, who was 10x more excited for book 5 than for season 1, I have to begrudgingly agree with the basic point made in the NYT pull quote. After watching season 1 unfold on HBO, I was a little baffled to see it landing so well with the mainstream. Maybe it's knowing the full story that makes it seem dense and esoteric to me, but scene to scene, I find it falling short of the cohesion needed to make massive casts and long arcs compelling.