"I have always liked the 'monster within' idea. I like to think of zombies as being us. Zombies are the blue-collar monsters." - George Romero
As of late, if you'll excuse the pun, zombies seem to be enjoying a renaissance -- and despite the marketing ramp up to blockbuster "World War Z," the arena in which the more interesting aspects of the undead are unfolding is on the small screen. Even though zombies, with their aversion to dialogue and decayed charisma, may not be the most obvious prime time television idea, a recent resurgence of reanimated corpses on our screens suggests otherwise. Setting aside the hugely successful if fairly straightforward "The Walking Dead," two recent international TV series, the French "The Returned" (currently being broadcast in the U.K.) and the British "In The Flesh" (which recently aired in the U.S. on BBC America) have framed the zombie concept in interesting, unorthodox angles.
When characters die in TV, the narrative continues on, and their absence is usually felt throughout the rest of the series. Once Stringer Bell of "The Wire" was killed, his aura lingered; his murder meant his immortalization rather than his disappearance. Characters may exit the frame, but they still haunt the story -- they're dead, but not entirely so, just like zombies. Zombie-like aspects exist in the very structure of TV series as well. As settings keep returning, characters and narrative devices do as well, their legacies kept alive by living memories of the past: recaps. TV shows come and go in the form of seasons, and sometimes they, too, return from the dead -- as in the case of "Arrested Development."
But something has happened to our televisual relation with zombies. The latest examples focus on understanding the undead. "In The Flesh" stages a compassionate glimpse into their tormented lives, and by adopting their point of view, beckons the spectator onto their side by stressing the living aspects more than the dead in them. "The Returned," which is based on the 2004 film "They Came Back," also opts for a humanizing characterization of zombies while exploring the impact they have on the living as the latter are suddenly confronted with embodiments of an unresolved past.
In the British series, zombies -- politely termed as sufferers of the "Partially Dead Syndrome," go through rehabilitation in order to be then reintegrated into society. Needless to say, not everyone welcomes these former flesh-eaters back with open arms, especially the HVF (Human Volunteers Force), a sort of paramilitary group of citizen vigilantes that have defended the rural English village where the series takes place since "the rising" began. Things get slightly more nuanced and complicated when the dead son of the HVF commander in chief returns, partially dead, from the war. On a similar note, the French Alps village where "The Returned" is set finds itself split on the issue of whether the living dead, who appear mysteriously and with no apparent memory of their death or the time that's passed since, are to be embraced, skeptically stared at or rejected altogether. Whether former villagers inundated by a broken dam, or deceased relatives de-zombiefied, in both series the possibility lurks of a dialogue between these two ostensibly irreconcilable factions.