"Buffy The Vampire Slayer"
It seems like the two easiest ways to avoid ever getting an Emmy nomination for best series -- even if said series is among the very best ever -- is a) having a teenager as your lead character and b) being a genre series. And "Buffy The Vampire Slayer" was both. During its 1997-2003 run, the Joss Whedon-created series about everyone's favorite vampire slayer never made it to the big race (though honestly no one really expected it to given its aforementioned qualities). It did manage a handful of nominations for makeup, hairstyling and music, and in 2000 its only nomination to ever reach the televised awards: Best writing for a drama series, oddly for an episode which is almost entire devoid of dialogue ("Hush," which revolves around a curse on Buffy's town in which everyone's voices are stolen).
"Freaks and Geeks"
These days it's easy to look at "Freaks and Geeks" and marvel at how it wasn't a giant hit -- almost every cast member has gone on to immense comedy fame and celebrity. But the 1999-2000 television season was another era, and the Paul Feig-created, Judd Apatow-produced NBC series was ahead of its time -- both in terms of attracting an audience beyond its dedicated cult following and in terms of the darkness of its humor and approach to high school life, with its characters' triumphs rarely being the sort of a teen movie. The show went similarly underappreciated by the Emmys in its single season. While Feig did get two nominations for the writing of the series' pilot and its finale, the show's only win was in 2000 for casting.
READ MORE: 2013 Emmy Award Predictions
Part of the Emmy Awards' apparent ban on giving a series nomination to anything that aired on the WB or UPN (and later, the CW), the great Amy Sherman-Palladino (notably the writer of the only episode of "Roseanne" ever nominated for an Emmy, as discussed below) never saw her critically lauded "Gilmore Girls" meet Emmy's questionable standards. Starring Lauren Graham and Alexis Bledel as a mother and daughter living in a small town (alongside Melissa McCarthy, in a role that would begin her slow escalation to super-stardom), the series was known best for its fast-paced, whip smart dialogue (often written by Sherman-Palladino). But the series, its actors and its writing were never even nominated. In fact, it only ever received a single nomination in 2004 (for makeup, which it won).
Louis C.K.'s surreal, brilliant autobiographical FX comedy has been one of the most acclaimed shows on television ever since its 2010 premiere (it's currently taking the year off while C.K. recharges and goes on tour). Despite the universal love from critics, the series has never been nominated for Outstanding Comedy Series -- instead, it has received nominations for acting, writing and directing, all for C.K., with the lone win in 2012 going to the stand-up for the writing on season two premiere "Pregnant." Celebrating all of the part of a series without lauding the whole is a little odd, especially given that C.K. writes, directs, stars in and produces everything, but perhaps this will be the year the Emmys finally make things right. After all -- C.K.'s starring in a Woody Allen movie. What better stamp of approval do you need for the sometimes Allen-inspired series?
"My So-Called Life"
Alright, so it only aired for one, low-rated 19-episode season. But as surely as the many, many people who have become diehard fans of "My So-Called Life" over the years (likely via its popular rerun-run on MTV or its VHS and DVD releases), it was one the best seasons of TV, like, ever. Starring eventual Emmy darling Claire Danes (just 13 years old when the pilot was shot) as the now iconic angsty teenager Angela Chase, "My So-Called Life" featured perhaps the most realistic depiction of teenage life to hit network television, which indeed resulted in deserved Emmy nods for directing, writing, theme music and acting (Danes). But for a show of this caliber to lose out on a series nomination to the fifth season of "Law & Order"? So-called insanity!