If we left it up to the networks and their campaign departments, almost no one worthy of an Emmy nomination would make the cut (stop nominating Jim Parsons!). So we here at Indiewire are hoping to start some grassroots campaigns of our own, pushing the best of the unlikely nominees to the forefront and hoping to receive some support from you, our wonderful readers. Below you'll find our picks for the drama supporting actors we'd like to see honored by the television academy as well as video evidence of their talents. Next week, we'll pick comedy leads, then drama leads, series, and so on until we reach nominations day on July 10th. Online ballots are available June 9th, so let the Emmy push commence!
6) Hayden Panettiere - "Nashville"
Peter Knegt: Soap operas don't tend to be Emmy favorites -- often with good reason, but "Nashville" should be an exception to that rule as far as I'm concerned. And it actually was last year, with lead actress Connie Britton getting a nom. But as fantastic as Britton is, the best thing about the show's second season was Hayden Panettiere. Really Britton's co-lead, Panettiere took her country singing star Juliette Barnes to a whole new level this year, and a far more layered and likeable one at that. And it doesn't hurt that she is so remarkably convincing in her musical performances that if "Nashville" doesn't make it past season three, she should find herself a country music career.
6) Erika Christensen - "Parenthood"
Ben Travers: If "Scandal" and "Nashville" can break in the same year, I think the flood gates might be open for soap operas at the Emmys -- after all, they've always loved "Downton Abbey," and it's just dressed up soap opera. My pick skirts the line of soap opera from time to time, but usually lands on the straight drama side of things. Erika Christensen helped solidify that positioning this year with a difficult arc as the villain of season five (or at least the "Parenthood" version of a villain). Despite making some poor choices, Christensen gave Julia heart and framed her choices with an emotional reasoning understandable, if not wholly logical. She was human, basically, and a lot of the time that's the hardest part to play.
5) - Kiernan Shipka - "Mad Men"
PK: I'm adding another young actress to this fold (and a much younger one at that) -- 14 year old Kiernan Shipka. Shipka was cast as Sally Draper when she was six years old, and has grown up in front of us, proving herself more and more as an actress who can hold her own amongst a very talented cast. So with just a few more chances to go to the Emmys before the show is over, hopefully voters can go against their history of failing to recognize child actors by giving Shipka a well deserved nomination for season 7. Shipka turned Sally into a strange, sassy, cigarette-smoking young woman on the verge, and as far as I'm concerned, she was responsible for many of the seasons best moments.
5) Olivia Munn - "The Newsroom"
BT: Aaron Sorkin has caught and continues to catch plenty of flack for "The Newsroom," partly because he deserves it, but also because expectations were just that high heading into the Oscar winner's follow-up to the "The Social Network." I'm sure I was one of the few whooping with joy when Jeff Daniels took home the trophy last year, and as big as a surprise as that was, I'm hoping lightning strikes twice -- not for Daniels, but for his costar Olivia Munn. The ex "Attack of the Show" host has proven herself an acting talent by successfully pushing past many of Sloan's potential pitfalls (Sorkin continues to struggle writing for women) and has elevated her character past the brains vs. beauty trappings of a hot news host. She's funny, quick, and thoroughly engaging in "The Newsroom," and just as worthy of a trophy as her leading man.
4) Caitlin Fitzgerald - "Masters of Sex"
PK: Five in and we're still all about the women: I'm vouching for "Masters of Sex" all around (it's such a great show and one I fear won't get much recognition from Emmy voters), including Caitlin FitzGerald as Libby Masters, the infertile, suffering wife of Michael Sheen's titular William Masters. With few credits to her name going into the role, FitzGerald nails a very tough character that could have easily been uninteresting if the actress hadn't given Mrs. Masters such a sincere, developed fragility. She's heartbreaking throughout the show's first season, and I'd argue she's turned Libby Masters into one of television's most underrated characters.
4) John Slattery - "Mad Men"
BT: Okay, okay. I'll break up the feminist movement with a man who's quite the charmer, even if he's a bit sexist in the process. AND I feel like I'm writing for two here, since you at one point had John Slattery on your list as well. I shouldn't be surprised he was our first overlap. After all, as Roger Sterling, Slattery is an addictive personality. My father repeatedly tells me he and "Red" are the only two reasons he still watches (a statement both understandable and infuriating). His transformation in season 7 was a subtle one, marked and masked simultaneously by his moments with Don. That is, until Roger took charge in the season finale. Now he seems poised to be a top tier player for the final few episodes next year, and a fifth Emmy nod would be worthy precursor to his real prize: television immortality.