Ten Outstanding Shorts from Outfest 2006
by Kim Adelman (July 19, 2006)
A scene from Carter Smith's award-winning short "Bugcrush," which screened at the recent Outfest. Image courtesy of NewFest.
Outfest 2006: the 24th Los Angeles Gay and Lesbian Film Festival unspooled 14 short film programs during its July 6-17 run this year. And while the 77 features playing Outfest garnered the lion’s share of critical attention, it is in the short-form live action, documentary, and experimental arenas where the truly maverick filmmaking can be found. Here (in alphabetical order) is a sampling of ten outstanding shorts, which, in addition to playing Outfest, continue to make their mark on the festival circuit. ”Available Men” (Dir. David Dean Bottrell, USA, 2005, 15 min.) This short, which won the audience award for best narrative short film at Outfest, is a comedy of misunderstanding, featuring a fast-talking Hollywood agent who mistakes a sensitive artist waiting for a blind date for a hot-shot screenwriter shopping for representation. Written and directed by a Hollywood scribe (Bottrell co-wrote Fox Searchlight‘s “Kingdom Come”), the short’s double-entendre jargon-filled dialogue delighted Outfest’s Industry-savvy audience. ”Bugcrush” (Dir. Carter Smith, USA, 2006, 36 min.) The jury award winner at this year’s Sundance Film Festival, “Bugcrush” is based on a Scott Treleaven‘s story and directed by Carter Smith, whose background is fashion photography and commercial/television directing. But if you didn’t know that, you’d swear this mesmerizing tale of a high school boy’s obsession with a seductive new kid was a lost Gus Van Sant masterpiece. Smith’s ability to capture naturalistic performances marks him as a director to watch. ”Dirtyglitter 1: Damien” (Dir. Aron Kantor, USA, 2005, 13 min.) Shown in a program entitled “Some Velvet Morning,” “Dirtyglitter 1: Damien” is the kind of visually experimental filmmaking one expects from an edgy festival like Outfest. This saga of a hustler searching for a photographer who seems to be snapping scenes from the hustler’s life before they happen was shot entirely on greenscreen - and leaves audiences eager to see what cinematic visions the filmmaker will unleash in Episode 2.
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