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by Peter Knegt and Bryce J. Renninger
July 11, 2012 12:23 PM
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The 13 Films You Must See at Outfest

"Cloudburst."

Outfest -- the Los Angeles Gay and Lesbian Film Festival -- is kicking off its 30th anniversary celebrations tomorrow night with a screening of Jeffrey Schwarz's "Vito" and a tribute to the one-and-only John Waters.  What will follow is 10 days showcasing the best LGBT cinema of the past year, which -- in something of a rare occasion -- isn't simply one or two great films and then countless filler. 

It's been a pretty exceptional year for LGBT films, and if you're in Los Angeles over the next little bit, Outfest is a pretty great opportunity to see why. Indiewire offers 13 best bets below, though there's also quite a bit more where that came from, so check out the festival's full program here.

"Cloudburst," written and directed by Thom Fitzgerald
“Cloudburst” comes nearly fifteen years after writer-director Thom Fitzgerald made his directorial debut with “The Hanging Garden.” But unlike “Garden” – and most of Fitzgerald’s subsequent films (“Beefcake,” “The Event”) – “Cloudburst” doesn’t have queer male central characters. Instead, he offers up a good ol’ fashioned lesbian road trip movie. The film stars Oscar winners Olympia Dukakis and Brenda Fricker as an American couple who decide head to Nova Scotia (where Fitzgerald is based) to marry after 30 years together, coming across a hunky hitchhiker (Ryan Doucette, in his first onscreen role). Given that synopsis, one might be inclined to dub “Cloudburst” a senior citizen version of “Thelma & Louise.” But that would be reductive. The film has its own unique sense of humanity and humor that’s handled gently by Fitzgerald. [Peter Knegt]

"Gayby," written and directed by Jonathan Lisecki
Expanding upon the hilarious short of the same name that hopped from film festival to festival two years ago, snatching up several awards, Jonathan Lisecki's "Gayby" is a tightly written hilarious romp of a group of New York friends who must deal with growing older.  Matt, a gay man, and Jenn, a straight woman, are longtime friends who have decided that they want to bring a baby into the world, the old-fashioned way.  What follows is a tender look at what happens to friendships when people get older and new friends and lovers come in the way.  As evidenced in our FUTURES profile of him, Lisecki's always surprising and never tiring wit is a welcome addition to the film festival circuit. [Bryce J. Renninger]

"How To Survive A Plague."

"How To Survive a Plague," directed by David France and "United In Anger," directed by Jim Hubbard
It's something of a shame that two excellent documentaries about New York-based AIDS activism had to come out around the same time. But it's also something of a gift.  Each unique in their storytelling and execution, David France's "How To Survive a Plague" and Jim Hubbard's "United in Anger" complement each other quite well. In their own ways, each film looks at the history and remarkable contribution of ACT UP (the AIDS Coalition to Unleash Power) -- the AIDS activism group born in mid-1980s New York.  Though comprehensive and powerful documentaries to be sure, collectively they still only represent a small fraction of the worldwide history of one of the worst epidemics -- and greatest examples of resulting activism -- ever.  So see both films, and consider them mere introductions (albeit two harrowing, beautifully crafted introductions). [Peter Knegt]

"I Am a Woman Now," directed by Michiel van Erp
The glamorous women in Michel van Erp's feature documentary are some of the first women who traveled from all over to undergo gender reassignment surgery in the late 1950's and early 1960's in Casablanca.  The women get together to gab about their life as some of the first modern day transsexuals, all worked on by the doctor Georges Burou.  While not all of them have the same experience of life as a pioneering transsexual, they stand out in recent history as some of the only women who received this surgery without going through the stringent psychological tests to deem one a candidate for any procedure. [Bryce J. Renninger]

"I Want Your Love," written and directed by Travis Mathews
When Travis Mathews' online art porn short of the same name was released a few years ago, many (including our own Peter Knegt) were smitten with Matthews' subtle portrayals of gay hipsters getting intimate and having sex.  After exploring these themes in documentary form with "In Their Room" (shot in San Fransisco) and "In Their Room: Berlin," Mathews' feature fiction debut is once again intimate and a true document of a group of men exploring love and sex through each other. [Bryce J. Renninger]

"Keep The Lights On," directed by Ira Sachs; written by Sachs and Mauricio Zacharias
Director Ira Sachs (“Forty Shades of Blue”) paints a painfully realistic portrait of an epic relationship in “Keep The Lights On.” Set in 1990s New York, the loosely autobiographical film follows a Danish documentarian (Thure Lindhardt) who falls for Paul (Zachary Booth), a closeted lawyer. Sachs charts what follows over a volatile ten year time frame, with each man struggling with their own private compulsions and addictions – often at the expense of their relationship.  With strong performances and a thoughtful screenplay that defies convention, “Keep The Lights On” captures a poignant, raw love story sure to resonate strongly with audiences. [Peter Knegt]

2 Comments

  • Michael Hawley | July 11, 2012 5:10 PMReply

    I saw close to two dozen films at this year's Frameline LGBT film fest in San Francisco and "Facing Mirrors" from Iran was by far the best of the bunch (and it won the festival's jury prize for Outstanding First Feature). If you're going to Outfest, don't miss it!

  • jim fouratt | July 11, 2012 3:46 PMReply

    What! no Jobriath A.D. ... and the director is an LA based ... and no FOREPLAY .perhaps the most real people feature in the festival and a cut above almost anythign else queer I have seen this year with an award meriting performance from Paul Soileau.. Like Wildness the people on screen look like the people in the audience .. and even I DO while more tradional in its story telling manages to be serious and not friolous about the marriage issue and is the first "pop" queer feature to represent the horror of bi-national couples in love .... well written and performed ,

    Not a diss of what was chosen .. but really dear .. who did make these selections. Some young queer studies damaged programer? remember movies work when people enjoy them.