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Celebrating 17 Years of Film.Biz.Fans.
by Peter Knegt
October 1, 2013 8:15 AM
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The 8 Indie Films You Must See This October (Which Is Shaping Up To Be One of the Best Months For Film In a Very Long Time)

Today marks the start of what could truly one of the best months for moviegoing... ever? Week after week, some of the best films off this year's film festival circuit --whether Cannes or Toronto or Sundance or Berlin or the ongoing New York Film Festival -- will hit theaters, bringing with them a couple major Oscar contenders and probably half of most 2013 top 10 lists. And it's not just the indies. While we're keeping this list specialty market exclusive, we highly recommend you make this 8 a full 10 via studio releases "Gravity" (out October 4th) and "Captain Phillips" (out October 18th)  -- certainly two of the most ambitious, satisfying films to come out of the Hollywood system this year (and the jury's still out on Ridley Scott's "The Counselor" -- out October 25th -- but it could be a studio option well worth your time as well).

In addition to those suggestions -- and as an extension of our recent fall indie preview -- Indiewire is offering the second of four monthly fall "must-see" lists to make cinematic decision-making amidst this alleged month or months as easy as possible. From the Palme d'Or winner to an Oscar frontrunner (or two) to a handful of strong LGBT offerings, here's 8 indies you should see this October.

1. 12 Years a Slave (October 18)
Director: Steve McQueen
Cast: Chiwetel Ejiofor, Lupita Nyong'o, Michael Fassbender, Benedict Cumberbatch, Paul Giamatti, Paul Dano, Sarah Paulson, Brad Pitt, Alfre Woodard
Distributor: Fox Searchlight Pictures
Criticwire Grade: A-

Why is it a "Must See"?  Steve McQueen's third feature film (and third collaboration with Michael Fassbender) marks his first foray into serious awards contention. "Hunger" made a solid festival run, but couldn't expand past 11 theaters in the States. "Shame" was slapped with the MPAA scarlet letters (NC-17), making it virtually ineligible for awards and actually ineligible to play at many American cinemas. Now, McQueen has a film with a respectable R rating, lots of A-list stars, and a major production company in Brad Pitt's Plan B. Throw in the fact that it came out of Toronto with the People's Choice Award and epic Oscar buzz, and McQueen could be looking at a long-lasting level of exposure -- perhaps all the way through March 2nd (but we're not ready to say that just yet).

Check out the trailer below:

2. Blue is the Warmest Color (October 25)
Director: Abdellatif Kechiche
Cast: Adele Exarchopoulos, Lea Seydoux
Distributor: Sundance Selects
Criticwire Grade: A

Why is it a "Must See"?  Hitting theaters this month with considerable controversy already under its belt (and, you know, the Palme d'Or) is Abdellatif Kechiche’s epic lesbian love story “Blue Is The Warmest Color.” The film follows Adèle (Adèle Exarchopoulos), a 15 year old who has her life turn inside out when she falls for blue-haired Emma (Léa Seydoux). The film is already infamous for its ten minute explicit sex scene, but there's a lot more to this in-depth character study and deconstruction of an intense relationship. Featuring remarkable performances from its young actresses, “Blue” should definitely be your warmest color come October 25th.

Check out the trailer below:

3. The Square (October 25)
Director: Jehane Noujaim
Distributor: Noujaim Films
Criticwire Grade: A-

Why is it a "Must See"? Opening at New York's Film Forum on October 25th (with our fingers crossed for a significant expansion soon after),  Jehane Noujaim's imperative new film also won the People's Choice Award in Toronto (in the documentary category -- following its Audience Award win in Sundance), as well as raves from critics. Egyptian-American filmmaker Noujaim tells the story of the Egyptian Revolution behind the headlines in the film, which follows a group of Egyptian activists for over two years as they battle leaders and regimes -- risk their lives in the process. It's a timely, intense and extremely important film that is certainly not the easiest film to digest on this list -- but more than earns a spot nonetheless.

Check out the trailer below:

4. All Is Lost (October 18)
Director: J.C. Chandor
Cast: Robert Redford
Distributor: Roadside Attractions/Lionsgate
Criticwire Grade: A-

Why is it a "Must See"? It's a one man show starring Robert Redford that's already generating Oscar buzz. And J.C. Chandor's follow-up to "Margin Call" couldn't appear more removed from his 2011 feature film debut. While "Margin Call" focused on the stock market crash through lots of insider lingo and back room discussions between an ensemble of thespians, his latest picture features only one man, one boat, and the ocean. It certainly helps that the man is Robert Redford. "All Is Lost" won raves at its Cannes premiere in May, launching Redford into an always crowded Best Actor race. Here's hoping the veteran actor earns a nod (which we are currently pretty sure he will).

Check out the trailer below:


  • Introspective Man | October 2, 2013 11:21 PMReply

    Another must-see indie film this month is:

    "The Inevitable Defeat of Mister and Pete" (October 11)
    Director: George Tillman, Jr.
    Writer: Michael Starrbury
    Cast: Skylan Brooks, Ethan Dizon, Jennifer Hudson, Jordan Sparks, Jeffrey Wright, Anthony Mackie, and Adewale Akkinuoye-Agbaje
    Distributor: Codeblack Films and Lionsgate
    Criticwire Grade: Go see it, and be your own judge!

    Why is it a Must See? This movie, about two boys, 14 year-old Mister and 9 year-old Pete, who
    suddenly find themselves alone, and are forced to fend for themselves over the course of a hot summer in New York, played to a packed 1,270 seat Eccles Theater in Park City, Utah when it premiered at this year's Sundance Film Festival. It ended with tears, smiles, and a thunderous standing ovation for the amazing performances by its two young leads, a beautifully written script by Michael Starrbury, and masterful direction by George Tillman, Jr.

  • Caulfield Harrigan | October 2, 2013 9:31 AMReply

    12 Years A Slave - Steve McQueen should get back in the driver's seat; he can't make a movie for the life of him.

    Blue Is The Warmest Color - What better way to raise controversy than by sticking in a throw-away sex scene between an "underage" girl and another girl? How better to bring the LGBT community to the forefront than by using lesbians (and make sure to make at least one of them underage!) for mass appeal?

    The Square - 1) Take a recent political event
    2) Create fictional personal stories revolving around said event
    3) ???
    4) PROFIT!!!

    All Is Lost - Another manly man vs nature movie? Boring. Didn't we see a billion of these already? I guess there are still masses of effeminate males looking to be inspired. Queue the beer and whiskey commercials.

    Kill Your Darlings - Allen Ginsberg? Really? LOL.

    Escape From Tomorrow - The actual description of the film is: " ... an unemployed father's sanity is challenged by a chance encounter with two underage girls ... ". See a pattern yet? Apparently underage girls gets movie reviewers hard enough to give a good rating.

    Concussion - Another movie that tries to satiate the LGBT community with a lesbian? This is more of an insult than a breakthrough. Where are the transgendered individuals? Where are the male homosexuals? Let's put them on the back burner so that we can have some lesbian sex scenes. What's the bet there are no LGBT actors in this movie?

    In The Name Of - Possibly the only film worth seeing, but the gay priest trope has been beaten half-past death, came back from the grave, and died a second time. Enough already. Points for no underage lesbians, though. As far as I know anyway.

    Lastly and most importantly, as Philip has mentioned: None of these are truly indie films.

  • Philip Eastwood Miller | October 1, 2013 4:25 PMReply

    These are not indie films...

  • Harrigan | October 3, 2013 9:05 AM

    awwww, what's the matter? Can't offer counter-arguments to back-up your terrible taste so you try to use rhetoric to sound smart?

    Try replying to the right person next time, Jeanette's Daughter. At least then you won't look half as vapid.

  • jeanettes daughter | October 2, 2013 1:04 PM

    awwww. what's the matter? got up on the wrong side of the bed this morning? too bad, too sad.