“Youthquake:” Denby Does Mumblecore
by Peter Knegt (March 9, 2009)
Joe Swanberg and David Lowery on the set of "Alexander The Last." Image courtesy of Film Science.
With SXSW kicking off later this week, featuring new films by Joe Swanberg, Andrew Bujalski, Kris Swanberg, and Ry Russo-Young, filmmakers and audiences alike will be hearing that dreaded “m-word” once again. The movement got another boost today in the latest issue of The New Yorker. “You’re about twenty-five years old, and you’re no more than, shall we say, intermittently employed, so you spend a great deal of time talking with friends about trivial things or about love affairs that ended or never quite happened; and sometimes, if you’re lucky, you fall into bed, or almost fall into bed and just enjoy the flirtation, with someone in the group,” The New Yorker‘s David Denby wrote in his new article on Mumblecore movies. “This chatty sitting around, with sex occasionally added, is not the sole subject of ‘mumblecore,’ a recent genre of micro-budget independent movies, but it’s a dominant one. Mumblecore movies are made by buddies, casual and serious lovers, and networks of friends, and they’re about college-educated men and women who aren’t driven by ideas or by passions or even by a desire to make their way in the world. Neither rebels nor bohemians, they remain stuck in a limbo of semi-genteel, moderately hip poverty, though some of the films end with a lurch into the working world. The actors (almost always nonprofessionals) rarely say what they mean; a lot of the time, they don’t know what they mean. The movies tell stories but they’re also a kind of lyrical documentary of American stasis and inarticulateness.” Denby obviously isn’t the first to discuss “mumblecore.” In 2007, Dennis Lim wrote an article in The New York Times, noting: “Recent rumblings — perhaps one should say mumblings — indicate an emerging movement in American independent film. Specimens of the genre share a low-key naturalism, low-fi production values and a stream of low-volume chatter often perceived as ineloquence. Hence the name: mumblecore.”
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I thought BEESWAX was absolutely brilliant. If we loosen up the definition a little bit, don’t most non-concept 70s films count as “mumblecore”?
Slacker. 17 years ago. Got it. Can we discuss something else now? Perhaps an Iraq war documentary.